Overview

Full Product Details

9780262600712

Table of Contents

Reviews

Branden Joseph's strikingly original study of Robert Rauschenberg will also be influential as a remarkable cultural history of the intersection of art, media, and technology in the 1960s. - Jonathan Crary, Columbia University First-rate research, narrative flair, and sophisticated analysis. - James Lawrence, The Burlington Magazine Those interested in the interrelationship of various modern arts genres will find this book especially illuminating. - Library Journal

Branden Joseph's strikingly original study of Robert Rauschenberg will also be influential as a remarkable cultural history of the intersection of art, media, and technology in the 1960s. Among the book's great merits are its stunning de-familiarization of a well known artist's work and its impressive reconsideration of the political stakes in the aesthetic practices of the period. Jonathan Crary, Columbia University Branden W. Joseph has embarked upon the ambitious project of reconstructing the essential part of Robert Rauschenberg's oeuvre... persuasively shown that Rauschenberg, together with [John] Cage, represents a specific and distinct instance of the American neo-avant-garde. Ales Erjavec Modernism/Modernity Scrupulously documented and brilliantly argued, Random Order is the most extensive and probing understanding we have of the aesthetic, historical, and political stakes of Rauschenberg's neo-avant-garde artistic project. Like Rauschenberg's 'mole archaeologist,' Joseph unearths the network of artists and theorists that countersigned the artist's desire to enact, in each of his works, not only what it means to encounter a work of art but also how to use it as a weapon to transform our conception of art and the relations in which we live. In the process, he gives us a stunning analysis of the artistic process itself--a process that, as he so beautifully demonstrates, always carries us--with random but unrelenting force--beyond ourselves. Eduardo Cadava , Princeton University, author of Words of Light: Theses on the Photography of History ...succeeds in highlighting an anarchic and gratuitously radical streak in Rauschenberg's early practice that is worth attending to, one that is neither a repeat of earlier avant-garde gesturings nor simply an accommodation to the values and commodifying mechanisms of postwar American consumer society. Alex Potts Art Bulletin The strongest passages deal with individual works in depth and with remarkable sensitivity to context. A chapter devoted to Rauschenberg's live performances is outstanding. James Lawrence Burlington Magazine Those interested in the interrelationship of various modern arts genres will find this book especially illuminating. Carol J. Binkowski Library Journal The short and highly accessible texts featured in this anthology touch on most of the major philosophical preoccupations of Debord and the Situationists. Ranging from movements like Surrealism and the Bauhaus to figures like Lucien Goldmann and Jean-Luc Godard, they reveal what a dialectical analysis of culture in the mid-twentieth century could yield. The more recent contributions to the volume provocatively engage crucial elements of the Situationist legacy and reflect knowledgeably, and in some instances passionately, upon them. An impressive editor, McDonough expertly and even-handedly navigates the polemical reefs of the Situationist history and legacy. --Alexander Alberro, School of Art & Art History, University of Florida Reynolds has revitalized not only an important and little-researched moment in Smithson's career, but also -- and perhaps more significantly -- a crucial event in the history of art practice in the U.S. and beyond. --Alexander Alberro, School of Art & Art History, University of FloridaPlease note: Slight change to author's title. Scrupulously documented and brilliantly argued, *Random Order* is the most extensive and probing understanding we have of the aesthetic, historical, and political stakes of Rauschenberg's neo-avant-garde artistic project. Like Rauschenberg's 'mole archaeologist,' Joseph unearths the network of artists and theorists that countersigned the artist's desire to enact, in each of his works, not only what it means to encounter a work of art but also how to use it as a weapon to transform our conception of art and the relations in which we live. In the process, he gives us a stunning analysis of the artistic process itself -- a process that, as he so beautifully demonstrates, always carries us -- with random but unrelenting force -- beyond ourselves. --Eduardo Cadava, Princeton University, author of *Words of Light: Theses on the Photography of History*

Author Information

Branden W. Joseph is Frank Gallipoli Professor of Modern and Contemporary Art in the Department of Art History and Archaeology at Columbia University and an editor of the journal Grey Room (MIT Press).

Tab Content 6

Customer Reviews

Recent Reviews

Countries Available