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OverviewFull Product DetailsAuthor: Paul Bowman (Reader in Cultural Studies, Cardiff University) , Paul Bowman , Rey Chow , James A. SteintragerPublisher: Edinburgh University Press Imprint: Edinburgh University Press Dimensions: Width: 15.60cm , Height: 1.50cm , Length: 23.40cm Weight: 0.347kg ISBN: 9780748647354ISBN 10: 074864735 Pages: 224 Publication Date: 05 July 2013 Audience: College/higher education , Undergraduate , Postgraduate, Research & Scholarly Format: Paperback Publisher's Status: Active Availability: Manufactured on demand We will order this item for you from a manufactured on demand supplier. Table of ContentsAcknowledgements; 1. Rancière and the Disciplines: An Introduction to Rancière before Film Studies, Paul Bowman; 2. What Does It Mean To Call Film An Art?, Nico Baumbach; 3. After the Passage of the Beast: ‘False Documentary’ Aspirations, Acousmatic Complications, Rey Chow; 4. The Spectator Without Qualities, Abraham Geil; 5. Memories of Modernism: Jacques Rancière, Chris Marker, and the Image of Modernism, Bram Ieven; 6. Aesthetic Irruptions: Politics of Perception in Alex De La Iglesia’s La Comunidad, Mónica López Lerma; 7. Inhuman Spectatorship, Patricia MacCormack; 8. Cinemarxis: Rancière and Godard, Mark Robson; 9. Jacques Rancière’s Animated Vertigo; or, how to be specific about medium, Richard Stamp; 10. The Medium Is Not the Message: Rancière, Eschatology, and the End of Cinema, James A. Steintrager; 11. Remarks by way of a Postface, Jacques Rancière; Bibliography; Notes on Contributors; Index.Reviews'The sheer amount of research, scope of contributions and argument put into Ranciere and Film make it an engaging and thought-provoking text for study into Ranciere's writings and of film study. Researchers in the field will find much to praise as the scholars critically engage with the material and frame new angles for consideration, leading to a far more enriching experience than merely spelling out where they believe the answers lie. Informative and provoking, it is a welcome encouragement to explore film study further.' - Sam Beaton, Scottish Journal of Performance Ranciere and Film's strength is that it both introduces readers to the timely ideas of an un-conventional thinker and sets forth some provocative interpretations. Those who know Ranciere may find its applications intriguing, and those who are not familiar with the thinker may find themselves wanting to read the original, to think things through for themselves. In this way, the collection is faithful to the real democratic potential of cinema and the true force of Ranciere's egalitarian hought. --Nina Belmonte, University of Victoria, Philosophy in Review 'The sheer amount of research, scope of contributions and argument put into Ranciere and Film make it an engaging and thought-provoking text for study into Ranciere's writings and of film study. Researchers in the field will find much to praise as the scholars critically engage with the material and frame new angles for consideration, leading to a far more enriching experience than merely spelling out where they believe the answers lie. Informative and provoking, it is a welcome encouragement to explore film study further.' - Sam Beaton, Scottish Journal of Performance Ranciere and Film's strength is that it both introduces readers to the timely ideas of an un-conventional thinker and sets forth some provocative interpretations. Those who know Ranciere may find its applications intriguing, and those who are not familiar with the thinker may find themselves wanting to read the original, to think things through for themselves. In this way, the collection is faithful to the real democratic potential of cinema and the true force of Ranciere's egalitarian hought. --Nina Belmonte, University of Victoria, Philosophy in Review 'The sheer amount of research, scope of contributions and argument put into Ranciere and Film make it an engaging and thought-provoking text for study into Ranciere's writings and of film study. Researchers in the field will find much to praise as the scholars critically engage with the material and frame new angles for consideration, leading to a far more enriching experience than merely spelling out where they believe the answers lie. Informative and provoking, it is a welcome encouragement to explore film study further.' - Sam Beaton, Scottish Journal of Performance Author InformationPaul Bowman is Reader in Cultural Studies at Cardiff University. He is the author of Post-Marxism versus Cultural Studies (2007), Deconstructing Popular Culture (2008), Theorizing Bruce Lee (2010), Culture and the Media (2012), Beyond Bruce Lee (2013) and Reading Rey Chow (2013). Tab Content 6Author Website:Countries AvailableAll regions |
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