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I visited Cornwall, for the first time, in the summer and autumn of 1850; and in the winter of the same year, I wrote this book. At that time, the title attached to these pages was strictly descriptive of the state of the county, when my companion and I walked through it. But when, little more than a year afterwards, a second edition of this volume was called for, the all-conquering railway had invaded Cornwall in the interval, and had practically contradicted me on my own title-page. To rechristen my work was out of the question--I should simply have destroyed its individuality. Ladies may, and do, often change their names for the better; but books enjoy no such privilege. In this embarrassing position, I ended by treating the ill-timed intrusion of the railway into my literary affairs, as a certain Abb?(who was also an author, ) once treated the overthrow of the Swedish Constitution, in the reign of Gustavus the Third. Having written a profound work, to prove that the Constitution, as at that time settled, was secure from all political accidents, the Abb?was surprised in his study, one day, by the appearance of a gentleman, who disturbed him over the correction of his last proof-sheet. Sir! said the gentleman; I have looked in to inform you that the Constitution has just been overthrown. To which the Abb?replied: -- Sir! they may overthrow the Constitution, but they can't overthrow MY BOOK --and he quietly went on with his work. On precisely similar principles, I quietly went on with MY TITLE-PAGE. So much for the name of the book. For the book itself, as published in its present form, I have a last word to say, before these prefatory lines come to an end.

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William Wilkie Collins (8 January 1824 - 23 September 1889) was an English novelist, playwright and short story writer best known for The Woman in White (1859) and The Moonstone (1868). The last has been called the first modern English detective novel. Born to the family of a painter, William Collins, in London, he grew up in Italy and France, learning French and Italian. He began work as a clerk for a tea merchant. After his first novel, Antonina, appeared in 1850, he met Charles Dickens, who became a close friend and mentor. Some of Collins's works appeared first in Dickens's journals All the Year Round and Household Words and they collaborated on drama and fiction. Collins achieved financial stability and an international following with his best known works in the 1860s, but began suffering from gout. Taking opium for the pain grew into an addiction. In the 1870s and 1880s his writing quality declined with his health. Collins was critical of the institution of marriage: he split his time between Caroline Graves and his common-law wife Martha Rudd, with whom he had three children. Collins was born at 11 New Cavendish Street, Marylebone, London, the son of a well-known Royal Academician landscape painter, William Collins and his wife, Harriet Geddes. Named after his father, he swiftly became known by his middle name, which honoured his godfather, David Wilkie. The family moved to Pond Street, Hampstead, in 1826. In 1828 Collins's brother Charles Allston Collins was born. Between 1829 and 1830, the Collins family moved twice, first to Hampstead Square and then to Porchester Terrace, Bayswater.[1] Wilkie and Charles received their early education from their mother at home. The Collins family were deeply religious, and Collins's mother enforced strict church attendance on her sons, which Wilkie disliked.[2] In 1835, Collins began attending school at the Maida Vale academy. From 1836 to 1838, he lived with his parents in Italy and France, which made a great impression on him. He learned Italian while the family was in Italy and began learning French, in which he would eventually become fluent.[3] From 1838 to 1840, he attended the Reverend Cole's private boarding school in Highbury, where he was bullied by a boy who would force Collins to tell him a story before allowing him to go to sleep. It was this brute who first awakened in me, his poor little victim, a power of which but for him I might never have been aware.... When I left school I continued story telling for my own pleasure, Collins later said

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