Overview

'You love the attention. You always have.' 1978. Holly, a young heiress, sits in a California prison awaiting trial for her role in a string of armed robberies that have captivated the nation. Her only hope? Her hotshot lawyer, Robert – who might make his name, if he can save hers. 2017. Robert, now one of the most famous attorneys in America, faces a different kind of trial: the court of public opinion. In a last-ditch bid for redemption, he turns to the one former client who could help him plead his case. But will she? Inspired by the real-life trial of Patty Hearst, Katherine Moar's play Ragdoll is a psychedelic swirl of celebrity, violence and scandal. It premiered at Jermyn Street Theatre, London, in 2025, directed by Josh Seymour. 'Riveting... bold and taut... an audacious account of power and privilege... The subject matter is explored with gripping tension... Moar's dialogue is so deft and sparkling, you could listen on and on' — Guardian 'Immensely atmospheric' — The Times 'Short, snappy and hugely enjoyable... buzzing with interesting ideas... Moar is a talent to watch' — London Standard 'Gripping... quick paced, witty and sharp... does a fantastic job of exploring privilege and power' — Theatre & Tonic 'Brilliant... a cracking play... electric, right from the start. Moar's dialogue, banteringly sharp with streaks of angry pain, roars along... a little gem' — TheatreCat 'A clever commentary on the social climate of the United States with privilege, power, and fame at its heart... brilliantly connects the two swirling narratives of past and present... an incredibly well-crafted play... both gripping and entertaining' — Theatre Weekly 'Thoughtful, thought-provoking, ingeniously structured and punchy... there is no disguising the sharpness of Moar's writing... an absolute joy to watch' — The Spy in the Stalls

Full Product Details

9781839045318

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Reviews

'Riveting... bold and taut... an audacious account of power and privilege... The subject matter is explored with gripping tension... Moar's dialogue is so deft and sparkling, you could listen on and on' * Guardian * 'Immensely atmospheric' * The Times * 'Short, snappy and hugely enjoyable... buzzing with interesting ideas... Moar is a talent to watch' * London Standard * 'Gripping... quick paced, witty and sharp... does a fantastic job of exploring privilege and power' * Theatre & Tonic * 'Brilliant... a cracking play... electric, right from the start. Moar's dialogue, banteringly sharp with streaks of angry pain, roars along... a little gem' * TheatreCat * 'A clever commentary on the social climate of the United States with privilege, power, and fame at its heart... brilliantly connects the two swirling narratives of past and present... an incredibly well-crafted play... both gripping and entertaining' * Theatre Weekly * 'Thoughtful, thought-provoking, ingeniously structured and punchy... there is no disguising the sharpness of Moar's writing... an absolute joy to watch' * The Spy in the Stalls * 'An enjoyable play from a young, exciting playwright' * All That Dazzles *

Author Information

Katherine Moar is a writer from Bath. Her plays include Ragdoll (Jermyn Street Theatre, London, 2025) and Farm Hall (Jermyn Street Theatre, 2023; West End, 2024). She is also studying for a PhD at King's College London and the Imperial War Museum.

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