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OverviewWhat is the nature of power in Racinian tragedy? Few questions have generated such widespread critical disagreement. This study looks beyond the conventional pageant of political power in the plays by exploring tensions inherent in the very concept of power. Each chapter elucidates how Racine's power relationships are concentrated in the question of language. His characters seek to discover, channel and control the thoughts of others by means of a careful manipulation of the word. The limits of language and the way it can be distorted and controlled rather than its expressiveness are shown to be crucial to Racine's power struggles. This book examines Racine's portrayal of the disintegration of the processes of thought by means of linguistic engineering, showing how it mirrors the absolutist policies of Louis XIV and foreshadows more recent anxieties about the use and abuse of language in our own time. It therefore provides a new reading of Racine's use of language which challenges previous critical responses. The emphasis throughout is on close engagement with the text. Full Product DetailsAuthor: Mary ReillyPublisher: Verlag Peter Lang Imprint: Verlag Peter Lang Edition: New edition Weight: 0.210kg ISBN: 9783039102860ISBN 10: 3039102869 Pages: 138 Publication Date: 09 February 2005 Audience: Professional and scholarly , Professional & Vocational Format: Paperback Publisher's Status: Active Availability: In Print ![]() This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us. Table of ContentsReviews-Clearly and concisely written, richly documented with textual evidence, this book makes a new contribution to our understanding of communication within the thematics of Racinian tragedy.- (Michael Hawcroft, Modern Language Review) Clearly and concisely written, richly documented with textual evidence, this book makes a new contribution to our understanding of communication within the thematics of Racinian tragedy. (Michael Hawcroft, Modern Language Review) Author InformationThe Author: Mary Reilly completed a doctoral thesis on seventeenth-century French theatre at the University of Glasgow and is now Senior Lecturer in French Studies at Manchester Metropolitan University where she lectures on comparative seventeenth- and twentieth-century French literature. Tab Content 6Author Website:Countries AvailableAll regions |