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9780810146594

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Reviews

"A must-read text for anyone in performance studies, dance, or whiteness studies, this book explores alternative spaces to the written word as the ultimate register of culture, wondering at audiovisual creation as a potential mode of thinking together toward the worlds we want to inhabit."" - Thomas F. DeFrantz, Northwestern University, director of SLIPPAGE: Performance, Culture, Technology ""The implications of this book go far beyond artistic research practice. Ben Spatz’s innovative interrogations and deconstructions of identity are important for everyone engaged in radical artistic practices that challenge the hegemonic and neoliberal discourses around race and identity that persist in and out of the university."" - Jennie Klein, Ohio University"

A must-read text for anyone in performance studies, dance, or whiteness studies, this book explores alternative spaces to the written word as the ultimate register of culture, wondering at audiovisual creation as a potential mode of thinking together toward the worlds we want to inhabit."" - Thomas F. DeFrantz, Northwestern University, director of SLIPPAGE: Performance, Culture, Technology ""The implications of this book go far beyond artistic research practice. Ben Spatz’s innovative interrogations and deconstructions of identity are important for everyone engaged in radical artistic practices that challenge the hegemonic and neoliberal discourses around race and identity that persist in and out of the university."" - Jennie Klein, Ohio University

"""A must-read text for anyone in performance studies, dance, or whiteness studies, this book explores alternative spaces to the written word as the ultimate register of culture, wondering at audiovisual creation as a potential mode of thinking together toward the worlds we want to inhabit."" --Thomas F. DeFrantz, Northwestern University, director of SLIPPAGE: Performance, Culture, Technology ""The implications of this book go far beyond artistic research practice. Ben Spatz's innovative interrogations and deconstructions of identity are important for everyone engaged in radical artistic practices that challenge the hegemonic and neoliberal discourses around race and identity that persist in and out of the university."" --Jennie Klein, Ohio University"

"A must-read text for anyone in performance studies, dance, or whiteness studies, this book explores alternative spaces to the written word as the ultimate register of culture, wondering at audiovisual creation as a potential mode of thinking together toward the worlds we want to inhabit."" - Thomas F. DeFrantz, Northwestern University, director of SLIPPAGE: Performance, Culture, Technology  ""The implications of this book go far beyond artistic research practice. Ben Spatz’s innovative interrogations and deconstructions of identity are important for everyone engaged in radical artistic practices that challenge the hegemonic and neoliberal discourses around race and identity that persist in and out of the university."" - Jennie Klein, Ohio University"

Author Information

Ben Spatz is a reader in media and performance at the University of Huddersfield.

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