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Author:   Alan R Thrasher
Publisher:   Taylor & Francis Ltd
Imprint:   Routledge
Weight:   0.453kg
ISBN:  

9780367596804

ISBN 10:   0367596806
Pages:   230
Publication Date:   30 June 2020
Audience:   College/higher education ,  Tertiary & Higher Education ,  Undergraduate
Format:   Paperback
Publisher's Status:   Active
Availability:   In Print  
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Table of Contents

I. Introduction 1. Qupai in Theory and Practice Alan R. Thrasher 2. Qupai in Historic Perspective Kar Lun Alan Lau II. Instrumental Qupai 3. Crossing Stages, Crossing Countries, Crossing Times: Instrumental Qupai in European Scholarship François Picard 4. Bianzou Methodologies in Traditional Practice Alan R. Thrasher 5. Baban: Instrumental Ideal and the Classic Repertoire Alan R. Thrasher III. Vocal Qupai 6. Qupai in Kunqu: Text-Music Issues Francois Picard and Kar Lun Alan Lau 7. Qupai Practice in Luju Opera, Anhui Province Yu Hui IV. Taoqu Suite Forms 8. Qupai Suite Forms in Nanguan and Other Traditions Alan R. Thrasher 9. Minnan Meihua Sannong: the 'Mother Form' of Jiangnan Sanliu Chen Yingshi 10. Instrumental and Vocal Suites: a Study of Pu'an Zhou François Picard

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Alan R. Thrasher, Professor Emeritus at the University of British Columbia, has published four books, most recently Sizhu Instrumental Music of South China (Leiden: Brill, 2008), Yueqi 樂器: Chinese Musical Instruments in Performance (Vancouver: BCCMA, 2011), and Chinese Musical Instruments (Hong Kong: Oxford UP, 2000).

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