Queerness in Heavy Metal Music: Metal Bent

Author:   Amber R. Clifford-Napoleone (University of Central Missouri, USA)
Publisher:   Taylor & Francis Ltd
ISBN:  

9780415728317


Pages:   166
Publication Date:   01 April 2015
Format:   Hardback
Availability:   In Print   Availability explained
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Queerness in Heavy Metal Music: Metal Bent


Overview

Full Product Details

Author:   Amber R. Clifford-Napoleone (University of Central Missouri, USA)
Publisher:   Taylor & Francis Ltd
Imprint:   Routledge
Dimensions:   Width: 15.20cm , Height: 1.50cm , Length: 22.90cm
Weight:   0.850kg
ISBN:  

9780415728317


ISBN 10:   0415728312
Pages:   166
Publication Date:   01 April 2015
Audience:   College/higher education ,  Tertiary & Higher Education ,  Undergraduate
Format:   Hardback
Publisher's Status:   Active
Availability:   In Print   Availability explained
This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us.

Table of Contents

Introduction 1. Heavy Metal Queerscape 2. Black Leather 3. Outsider Togetherness 4. Everybody Knows 5. Eat Me Alive Conclusion

Reviews

Queerness in Heavy Metal Music: Metal Bent is an important addition to Metal Music Studies' commitment to challenging the perception of metal as inherently heteromasculinist through examining metal scenes as sites of potentialities and differing performativities. Metal Bent initiates an understanding of how these performativities may be interrogated in the context of sexuality. The groundwork undertaken here by Clifford-Napoleone may then yield greater plurality in future intersectional discussions of sexuality within metal scenes, practices and cultures. - Catherine Hoad, Macquarie University, Australia


Queerness in Heavy Metal Music: Metal Bent is an important addition to Metal Music Studies' commitment to challenging the perception of metal as inherently heteromasculinist through examining metal scenes as sites of potentialities and differing performativities. Metal Bent initiates an understanding of how these performativities may be interrogated in the context of sexuality. The groundwork undertaken here by Clifford-Napoleone may then yield greater plurality in future intersectional discussions of sexuality within metal scenes, practices and cultures. - Catherine Hoad, Macquarie University, Australia


Author Information

Amber R. Clifford-Napoleone is Assistant Professor of Anthropology and Curator of Nance Collections at the University of Central Missouri, USA.

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