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OverviewFull Product DetailsAuthor: Brian James Baer , Yevgeniy FiksPublisher: Academic Studies Press Imprint: Academic Studies Press Dimensions: Width: 15.50cm , Height: 2.20cm , Length: 23.30cm Weight: 0.739kg ISBN: 9798887192512Pages: 402 Publication Date: 28 September 2023 Audience: General/trade , Professional and scholarly , General , Professional & Vocational Format: Hardback Publisher's Status: Active Availability: Temporarily unavailable ![]() The supplier advises that this item is temporarily unavailable. It will be ordered for you and placed on backorder. Once it does come back in stock, we will ship it out to you. Table of ContentsAcknowledgements Note on Transliteration Introduction Brian James Baer and Yevgeniy Fiks Part One. Theoretical Framings 1. Between Semiotics and Phenomenology: The Problem of Queer Beauty Brian James Baer Part Two. Queer Beauty in Context 2. “In Appearance, Both a Lad and Lass”: Images of Androgyny in Eighteenth-century Russian Art Olga Khoroshilova (translated by Aleksei Grinenko) 3. The Queer Opacity of Alexander Ivanov’s Nudes: Between Biblical Themes and Greek Love Nikolai Ivanov (translated by Aleksei Grinenko) 4. Prostitutes, Pierrots, and Priapus: The Queer Modernism of Konstantin Somov Brian James Baer 5. Modernism as the Uncanny of Stalinism: On Alexander Deineka’s Wartime Drawings Gleb Napreenko (translated by Aleksei Grinenko with Brian James Baer) 6. Carnivalesque Carnality: The Queer Potential of Sergei Eisenstein’s Homoerotic Drawings Ada Ackerman 7. Moscow Conceptualism’s Erotic Objects Yelena Kalinsky 8. Queering Socialist Realism: The Case of Georgy Guryanov Maria Engström (translated by Ryan Green) 9. A Russian Schizorevolution?: Observations on the New Academy of Fine Arts and Queer Issues in the Late 1980s and Early 1990s Andrei Khlobystin (translated by Aleksei Grinenko) 10. The Lure of Implied Transgression as Revolutionary Retrospective: The Illicit as la Belleza in Bella Matveeva’s Art Helena Goscilo 11. Sexual and Gender Dissent in a Bipolar World: Georgy Guryanov and Vladislav Mamyshev-Monroe Andrey Shental 12. “My Nationality Is My Sexuality”: The Post-Soviet, Diasporic, Non-Russian Queerness of Babi Badalov Roman Osminkin (translated by Innokenty Grekov) Part Three. Beyond Queer Beauty? Contemporary Post-Soviet Perspectives on Queer(ing) Art, Art History, and Artists 13. Architecture, Outer Space, Sex: Queering the Kollontai Commune in 1970s Frunze Georgy Mamedov and Oksana Shatalova (translated by Aleksei Grinenko with Adrienn Hruska) 14. Soviet Union, July 1991 Yevgeniy Fiks 15. LGBT Violence and the Limits of Realism: Polina Zaslavskaya’s Material Evidence Victoria Smirnova-Maizel (translated by Ryan Green) 16. The Battle over Names: Radical Queer on the Russian Activist Art Scene Seroe Fioletovoe (with translations by Innokenty Grekov) 17. Queer in the Land of the Bolsheviks, or the Archeology of Dissent Nadia Plungian (translated by Aleksei Grinenko) 18. A Queer (Re)Claiming of Russian and Soviet Art: An Interview with Slava Mogutin 19. “Queer and Russian Art?”: A Conversation between Katharina Wiedlack and Masha Godovannaya 20. Queering Sexual Minorities,: An Interview with Yevgeniy Fiks IndexReviews"""Everywhere and throughout history queerness is a political act, yet missing narratives remain. That is why the comprehensive survey of queer Russian cultural practice mapped in these pages is so revelatory. The scholarly investigations contained herein are as capacious as the land-mass they mean to situate, and they are indispensable to any contemporary understanding of our accelerating international cultural and political dilemmas. Perhaps more importantly, you will be treated to probative examinations of the consequential disposition of current Russian queer cultural production, which shed light on the bold, resourceful, and inventive radicalism they represent. This book is essential reading for anyone concerned with twenty-first century meaning-making."" - Avram Finkelstein, founding member of the Silence=Death collective [OR Avram Finkelstein, artist, writer, activist] ""Yevgeniy Fiks and Brian James Baer have put together a truly important, timely collection that offers a broad and engaging view of queerness in Russian art. The scholarly chapters focus on well-known artists (Somov, Eisenstein, Deineka, the Moscow conceptualists, the New Academy...) and yet invariably surprise: the volume's contributors show us new ways to understand familiar images and topics. The inclusion of works of conceptual art and interviews with contemporary artists in the final section makes the volume even livelier and stronger."" - Emily D. Johnson, Brian and Sandra O'Brien Presidential Professor of Russian, University of Oklahoma" “Everywhere and throughout history queerness is a political act, yet missing narratives remain. That is why the comprehensive survey of queer Russian cultural practice mapped in these pages is so revelatory. The scholarly investigations contained herein are as capacious as the land-mass they mean to situate, and they are indispensable to any contemporary understanding of our accelerating international cultural and political dilemmas. Perhaps more importantly, you will be treated to probative examinations of the consequential disposition of current Russian queer cultural production, which shed light on the bold, resourceful, and inventive radicalism they represent. This book is essential reading for anyone concerned with twenty-first century meaning-making.” — Avram Finkelstein, founding member of the Silence=Death collective [OR Avram Finkelstein, artist, writer, activist] “Yevgeniy Fiks and Brian James Baer have put together a truly important, timely collection that offers a broad and engaging view of queerness in Russian art. The scholarly chapters focus on well-known artists (Somov, Eisenstein, Deineka, the Moscow conceptualists, the New Academy…) and yet invariably surprise: the volume’s contributors show us new ways to understand familiar images and topics. The inclusion of works of conceptual art and interviews with contemporary artists in the final section makes the volume even livelier and stronger.” — Emily D. Johnson, Brian and Sandra O’Brien Presidential Professor of Russian, University of Oklahoma Author InformationBrian James Baer is Professor of Russian and Translation Studies at Kent State University. Founding editor of the journal Translation and Interpreting Studiesand co-editor of the Bloomsbury book series ""Literatures, Cultures, Translation,"" his publications include the monographs Other Russias: Homosexuality and the Crisis of Post-Soviet Identity and Queer Theory and Translation Studies: Language, Politics, Desire, as well as the collected volumes Translation in Russian Contexts, with Susanna Witt, and Queering Translation, Translating the Queer, with Klaus Kaindl. Yevgeniy Fiks is a Moscow-born New York-based artist, author, and organizer of art exhibitions. Yevgeniy has produced many projects on the subject of the Post-Soviet dialog in the West. Fiks' books include Moscow(Ugly Duckling Presse, 2013), Soviet Moscow's Yiddish-Gay Dictionary (Cicada Press, 2016), and Mother Tongue (Pleshka Presse, 2018). Tab Content 6Author Website:Countries AvailableAll regions |