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OverviewIn Queering Black Atlantic Religions Roberto Strongman examines Haitian Vodou, Cuban Lucumi/Santeria, and Brazilian Candomble to demonstrate how religious rituals of trance possession allow humans to understand themselves as embodiments of the divine. In these rituals, the commingling of humans and the divine produces gender identities that are independent of biological sex. As opposed to the Cartesian view of the spirit as locked within the body, the body in Afro-diasporic religions is an open receptacle. Showing how trance possession is a primary aspect of almost all Afro-diasporic cultural production, Strongman articulates transcorporeality as a black, trans-Atlantic understanding of the human psyche, soul, and gender as multiple, removable, and external to the body. Full Product DetailsAuthor: Roberto StrongmanPublisher: Duke University Press Imprint: Duke University Press Weight: 0.431kg ISBN: 9781478003106ISBN 10: 1478003103 Pages: 296 Publication Date: 10 May 2019 Audience: Professional and scholarly , Professional & Vocational Format: Paperback Publisher's Status: Active Availability: In Print  This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us. Table of ContentsAcknowledgments ix Introduction: Enter the Igbodu 1 Part I. Vodou 1. Of Dreams and Night Mares: Vodou Women Queering the Body 27 2. Hector Hyppolite èl Même: Between Queer Fetishization and Vodou Self-Portraiture 49 Part II. Lucumí/Santería 3. A Chronology of Queer Lucumí Scholarship: Degeneracy, Ambivalence, Transcorporeality 103 4. Lucumí Diasporic Ethnography: Fran, Cabrera, Lam 133 Part III. Candomblé 5. Queer Candomblé Scholarship and Dona Flor's S/Exua/lity 181 6. Transatlantic Waters of Oxalá: Pierre Verger, Mário de Andrade, and Candomblé in Europe 212 Conclusion: Transcripturality 251 Notes 255 References 261 Index 273ReviewsStrongman's contribution is an innovative deployment of cultural studies that looks at art, performance, film, and literature to research the religiosity of African diaspora communities in Latin America and the Caribbean. . . . The work is ultimately an important and sophisticated addition to the growing consideration of the transnational aesthetics that interconnect different kinds of queerness, blackness, and spirituality in the Americas. -- Solimar Otero * Journal of Folklore Research * Strongman's expansion of transcorporeality is pivotal.... This book is a necessary read that contributes to the growing body of scholarship on gender and sexuality in African diasporic religions. . . . -- Eziaku Nwokocha * Reading Religion * [Strongman] pursues his materials with investigative prowess and scholarly verve, making this a major new reference point for scholarship on the subject. -- Kieth E. McNeal and Martin Tsang * New West Indian Guide * Strongman's exploration of the body in literary genres provides an excellent framework for a new understanding of the body, transcending the Cartesian dialectics. Strongman's three case studies present indeed the 'full queer potentiality.' -- Bettina E. Schmidt * Journal of Contemporary Religion * Strongman's audacity in exploring the evolution and intersection of Afro-Atlantic religiosity with queer bodies is a significant contribution to the literature and discourse on Afro-diasporic religions and cultural studies.... Strongman illustrates how scholarship can be expressive and an agent of radical transformation of social experience. -- Mary Nyangweso * Hypatia * Strongman's contribution is an innovative deployment of cultural studies that looks at art, performance, film, and literature to research the religiosity of African diaspora communities in Latin America and the Caribbean. . . . The work is ultimately an important and sophisticated addition to the growing consideration of the transnational aesthetics that interconnect different kinds of queerness, blackness, and spirituality in the Americas. -- Solimar Otero * Journal of Folklore Research * Author InformationRoberto Strongman is Associate Professor of Comparative Caribbean Cultural Studies at the University of California, Santa Barbara. Tab Content 6Author Website:Countries AvailableAll regions |
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