The Quay Brothers: Into a Metaphysical Playroom

Author:   Suzanne Buchan
Publisher:   University of Minnesota Press
ISBN:  

9780816646586


Pages:   296
Publication Date:   07 March 2011
Format:   Hardback
Availability:   In Print   Availability explained
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The Quay Brothers: Into a Metaphysical Playroom


Overview

This work is the first thorough analysis of the creative oeuvre of the Quay Brothers. Known for their animation shorts that rely on puppetry, miniatures, and stop-motion techniques, their fiercely idiosyncratic films are fertile fields for Suzanne Buchan's engaging descriptions and provocative insights into the Quays' art—and into the art of independent puppet animation.

Full Product Details

Author:   Suzanne Buchan
Publisher:   University of Minnesota Press
Imprint:   University of Minnesota Press
Dimensions:   Width: 17.80cm , Height: 2.50cm , Length: 25.40cm
ISBN:  

9780816646586


ISBN 10:   0816646589
Pages:   296
Publication Date:   07 March 2011
Audience:   General/trade ,  Professional and scholarly ,  General ,  Professional & Vocational
Format:   Hardback
Publisher's Status:   Active
Availability:   In Print   Availability explained
This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us.

Table of Contents

Reviews

Suzanne Buchan's book offers a welcome introduction to the art of the Brothers Quay, with an emphasis on a detailed reading of their animated film, Street of Crocodiles . The Quay Brothers offers engaging descriptions and thought-provoking insights into the Quays' art specifically and into the art of animation generally. --Thomas Lamarre, McGill University


<p> Suzanne Buchan's book offers a welcome introduction to the art of the Brothers Quay, with an emphasis on a detailed reading of their animated film, Street of Crocodiles . The Quay Brothers offers engaging descriptions and thought-provoking insights into the Quays' art specifically and into the art of animation generally. --Thomas Lamarre, McGill University


Author Information

Suzanne Buchan is professor of animation aesthetics and director of the Animation Research Centre at the University for the Creative Arts, United Kingdom.

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