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OverviewIn Pygmalion in Bavaria, Christiane Hertel introduces the sculptor Ignaz Günther, placing him in the historical context of Bavarian Rococo art and Counter-Reformation religious visual culture. She also considers the remarkable aesthetic appeal of Günther’s oeuvre—and connects it to the eighteenth-century art theory that focused on sculpture and the creative paradigm of Pygmalion. Through this interweaving of contexts and discourses, Hertel offers insights into how Rococo art’s own critical dimension positions it against the Enlightenment and introduces a particular notion of subjectivity. Full Product DetailsAuthor: Christiane Hertel (Katherine B. McBride Professor, Bryn Mawr College)Publisher: Pennsylvania State University Press Imprint: Pennsylvania State University Press Dimensions: Width: 20.30cm , Height: 3.00cm , Length: 25.40cm Weight: 1.497kg ISBN: 9780271037370ISBN 10: 0271037377 Pages: 344 Publication Date: 21 September 2011 Audience: Professional and scholarly , Professional & Vocational Format: Hardback Publisher's Status: Active Availability: To order ![]() Stock availability from the supplier is unknown. We will order it for you and ship this item to you once it is received by us. Table of ContentsReviewsNow at last Christiane Hertel, professor at Bryn Mawr, will introduce GUnther in English to future generations with a thoughtful book that goes well beyond the conventional monograph to probe the Bavarian Rococo, for example as a religious combination of the visionary with a personally subjective totality, 'commemorative in a quasi-Lutheran sense.' Such piety distances Ignaz GUnther from modern taste, so here Hertel fills a real need to reconstitute his aesthetic ambitions, while subtly suggesting that his works may lie open to theological questioning in their own era. --Larry Silver, Historians of Netherlandish Art Newsletter Now at last Christiane Hertel, professor at Bryn Mawr, will introduce Gunther in English to future generations with a thoughtful book that goes well beyond the conventional monograph to probe the Bavarian Rococo, for example as a religious combination of the visionary with a personally subjective totality, 'commemorative in a quasi-Lutheran sense.' Such piety distances Ignaz Gunther from modern taste, so here Hertel fills a real need to reconstitute his aesthetic ambitions, while subtly suggesting that his works may lie open to theological questioning in their own era. --Larry Silver, Historians of Netherlandish Art Newsletter Author InformationChristiane Hertel is Professor of Art History at Bryn Mawr College. Tab Content 6Author Website:Countries AvailableAll regions |