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OverviewFull Product DetailsAuthor: Matt Grimes (Birmingham City University) , Russ Bestley (London College of Communication) , Mike Dines (Middlesex University) , Paula Guerra (Universidade do Porto, Portugal)Publisher: Intellect Books Imprint: Intellect Books Edition: New edition ISBN: 9781789384123ISBN 10: 1789384125 Pages: 260 Publication Date: 07 December 2021 Audience: General/trade , Professional and scholarly , General , Professional & Vocational Format: Paperback Publisher's Status: Active Availability: Out of stock The supplier is temporarily out of stock of this item. It will be ordered for you on backorder and shipped when it becomes available. Table of ContentsIntroduction Russ Bestley, Mike Dines, Matt Grimes and Paula Guerra From Belfast with love: The women and female presenting punks of Northern Ireland and their ‘subculture’ Francis Stewart The power of memory: Gender inequality among the Berlin psychobilly scene Matthew D. Newsom Trans-Punk: DIY identities and new modes of subjectivity Gareth Schott Brazilian riot grrrls: History, reflections and feminist empowerment in girls rock camps Gabriela Cleveston Gelain and Mike Dines Not just Riot Grrrls! Punk rock feminism in the Philippines Monica Schoop 6. Not just boys’ fun: Punks, pariah femininities, and challenges to gender hegemony Steve Moog Say a spell: Summoning the ghosts of post-punk Melbourne Donna McRae and Alexia Kannas Keeping Japanese punk film (A)LIVE: Shôzin Fukui’s concert-screening hybridity and Japanese live house culture Mark Player ‘Back from the Grave’: Retro style and cultural memory in the Tokyo garage rock scene José Neglia The punks, the web, local concerns and global appeal: Cultural hybridity in Turkish hardcore punk Lyndon C. S. Way and Dylan Wallace Love at first sip? When Finnish hardcore punk met alcohol Lasse Ullvén Punk is punk but by no means punk: Definition, genre evasion and the quest for an authentic voice in contemporary Russia Yngvar Bordewich SteinholtReviews'This timely addition to the continually growing punk corpus reveals how punk identities are negotiated in a variety of social, economic and cultural realities. It examines how punk paradoxically changes and stays the same. It shows local solutions to global punk issues and provides both sociological and scientific methods and approaches to critically work on, with and through the complexities of punk, in all its manifestations.' Dr Giacomo Botta, University of Helsinki, Finland 'The essays in this volume offer some new interpretations of how punk subculture intersects with more specific and nuanced questions about gender, feminism, ethnicity and specific national punk scenes. This chimes with an important undercurrent in contemporary punk studies: namely the growing realisation that, far from being able to define punk or indeed summarise its legacy in a neat way, punk as a discourse is increasingly useful as a 'elastic' term that presents researchers from many disciplinary fields with an analytical framework that is challenging, interesting and adaptable.' Dr Anita Raghunath, Vrije Universiteit Amsterdam, The Netherlands 'Where punk has been about challenging political and cultural fascism on the outside, this book challenges punk itself, diving directly into critical debates around gender identity and inclusion, the maintenance of toxic masculinity and the need to constantly critically re-evaluate the relationship between DIY cultural performance and technology. This is the kind of punk reader we need today. Richly woven with intricate histories that help us make sense of where we have been as we desperately work towards where we need to go. Read deeply, share widely, and cite often.' michael b macdonald, MacEwan University, Canada 'An excellent collection of articles that contribute to this growing range of new perspectives on punk around the globe. The collection engages with some of the more contemporary and urgent social and political issues researched through a lens of punk counter culture, offering new insights into the ways in which punk endures as a platform for empowering marginal and marginalized identities. The articles in this volume offer some new interpretations of how punk subculture intersects with more nuanced questions about gender, feminism, ethnicity and specific national scenes and examines, in some instances, how these emergent perspectives are represented in new media and digital technology. [...] Punk Identities, Punk Utopias: Global Punk and Media offers readers an opportunity to reconsider and re-frame punk as a discourse with surprisingly wide reaching applications.' -- Anita Raghunath, Punk & Post-Punk 'This timely addition to the continually growing punk corpus reveals how punk identities are negotiated in a variety of social, economic and cultural realities. It examines how punk paradoxically changes and stays the same. It shows local solutions to global punk issues and provides both sociological and scientific methods and approaches to critically work on, with and through the complexities of punk, in all its manifestations.' -- Dr Giacomo Botta, University of Helsinki, Finland 'The essays in this volume offer some new interpretations of how punk subculture intersects with more specific and nuanced questions about gender, feminism, ethnicity and specific national punk scenes. This chimes with an important undercurrent in contemporary punk studies: namely the growing realisation that, far from being able to define punk or indeed summarise its legacy in a neat way, punk as a discourse is increasingly useful as a 'elastic' term that presents researchers from many disciplinary fields with an analytical framework that is challenging, interesting and adaptable.' -- Dr Anita Raghunath, Vrije Universiteit Amsterdam, The Netherlands 'Where punk has been about challenging political and cultural fascism on the outside, this book challenges punk itself, diving directly into critical debates around gender identity and inclusion, the maintenance of toxic masculinity and the need to constantly critically re-evaluate the relationship between DIY cultural performance and technology. This is the kind of punk reader we need today. Richly woven with intricate histories that help us make sense of where we have been as we desperately work towards where we need to go. Read deeply, share widely, and cite often.' -- michael b macdonald, MacEwan University, Canada Author InformationMatt Grimes is a senior lecturer and researcher in music industries and radio at Birmingham City University’s School of Media. Russ Bestley is reader in graphic design at London College of Communication. Mike Dines is a lecturer of music at Middlesex University. Alastair Gordon is a senior lecturer of media and communication at De Montfort University, Leicester. Paula Guerra is professor of sociology at the University of Porto. Tab Content 6Author Website:Countries AvailableAll regions |