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OverviewFull Product DetailsAuthor: Griselda Pollock (University of Leeds)Publisher: John Wiley and Sons Ltd Imprint: Wiley-Blackwell Dimensions: Width: 15.40cm , Height: 1.40cm , Length: 23.00cm Weight: 0.381kg ISBN: 9781405134613ISBN 10: 1405134615 Pages: 264 Publication Date: 05 July 2006 Audience: Professional and scholarly , Professional & Vocational Format: Paperback Publisher's Status: Active Availability: Out of stock ![]() The supplier is temporarily out of stock of this item. It will be ordered for you on backorder and shipped when it becomes available. Table of ContentsList of Figures. Notes on Contributers. Series Editor's Preface. Preface. 1. The Image in Psychoanalysis and the Archaeological Metaphor. (Griselda Pollock). 2. Dreaming Art. (Mieke Bal). 3. Fascinance and the Girl-to-m/Other Matrixial Feminine Difference. (Brache L. Ettinger). 4. Melancholia and Cezanne's Portraits: Faces beyond the Mirror. (Young-Paik Chun). 5. Yayoi Kusama between Abstraction and Pathology. (Izumi Nakajime). 6. Diaspora without Resistance? Theresa Hak Kyung Cha's DICTEE and the Law of Genre. (Karyne Ball). 7. Fragment(s) of an Analysis: Chantal Akerman's News from Home (or a Mother-Daughter Tale of Two Cities). (Adriana Cerne). Bibliography. Index.Reviews"""With greater clarity than ever, this book articulates the relevance of psychoanalysis for art historical interpretation. The result is a work that must necessarily figure in method and theory courses from now on."" Keith Moxey, Barnard College, Columbia University" With greater clarity than ever, this book articulates the relevance of psychoanalysis for art historical interpretation. The result is a work that must necessarily figure in method and theory courses from now on. Keith Moxey, Barnard College, Columbia University ""With greater clarity than ever, this book articulates the relevance of psychoanalysis for art historical interpretation. The result is a work that must necessarily figure in method and theory courses from now on."" Keith Moxey, Barnard College, Columbia University Author InformationGriselda Pollock is Professor of Social and Critical Histories of Art and Director of the CATH Centre at the University of Leeds. She is the author of Vision and Difference: Feminism, Femininity and the Histories of Art (1988), Differencing the Canon: Feminist Desire and the Writing of Art’s Histories (1999), Looking Back to the Future: Essays on Art, Life, and Death (2000), and a monograph on Charlotte Salomon, Theatre of Memory (2007). Tab Content 6Author Website:Countries AvailableAll regions |