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OverviewCritics regularly use the term 'provocateur' to describe controversial film directors. Although most individuals who attract this term are men, there is a long and largely unexamined history of female auteurs who shock and unsettle their viewers. Provocation in Women's Filmmaking: Authorship and Art Cinema investigates how women directors participate in the tradition of provocative art cinema. Focusing on the post-millennium films of auteurs such as Lisa Aschan, Catherine Breillat, Jennifer Kent, Isabella Eklf, Lucile Hadihalilovi, Claire Denis, Anna Biller and Athina Rachel Tsangari, this book considers the aesthetics and strategies of women's provocative filmmaking in contemporary cinema. Challenging the gendering of provocation as a hyper-masculine mode of authorship, the book uncovers an enticing and complex array of divisive works by women. Full Product DetailsAuthor: Janice Loreck (Lecturer in Screen Studies, The University of Melbourne)Publisher: Edinburgh University Press Imprint: Edinburgh University Press ISBN: 9781474483506ISBN 10: 147448350 Pages: 208 Publication Date: 30 November 2024 Audience: Professional and scholarly , Professional & Vocational Format: Paperback Publisher's Status: Active Availability: Manufactured on demand We will order this item for you from a manufactured on demand supplier. Table of ContentsList of IllustrationsAcknowledgementsIntroduction Sexuality and Obscenity: From Catherine Breillat to Lisa Aschan On Not Looking Away: Rape in the Films of Jennifer Kent and Isabella Eklöf The Provocations of the Pretty: The Films of Lucile Hadžihalilović Pursuing Transgression: Claire Denis’s Taboo Intimacies Posing as an Innocent: Irony, Sincerity and Anna Biller Vaguely Disturbing: Humour in the Films of Athina Rachel Tsangari Conclusion NotesFilmographyBibliographyIndexReviewsThrough incisive studies of Lucile Hadzihalilovic, Claire Denis and Jennifer Kent, amongst others, Loreck demonstrates that women filmmakers are responsible for the most provocative, transgressive and affective art cinema in the twenty-first century. A must-read for those interested in women filmmakers, art cinema, and the gendering of film authorship. --Alison Peirse, University of Leeds Author InformationJanice Loreck is Lecturer in Screen Studies at the University of Melbourne. She is co-editor of Screening Scarlett Johansson: Gender, Genre, Stardom (2019) and the author of Violent Women in Contemporary Cinema (2016). Tab Content 6Author Website:Countries AvailableAll regions |
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