Overview

Written by one of the leading scholars of Japanese religion, Protectors and Predators is the second installment of a multivolume project that promises to be a milestone in our understanding of the mythico-ritual system of esoteric Buddhism—specifically the nature and roles of deities in the religious world of medieval Japan and beyond. Bernard Faure introduces readers to medieval Japanese religiosity and shows the centrality of the gods in religious discourse and ritual. Throughout he engages theoretical insights drawn from structuralism, post-structuralism, and Actor-Network Theory to retrieve the “implicit pantheon” (as opposed to the “explicit orthodox pantheon”) of esoteric Japanese Buddhism (Mikky?). His work is particularly significant given its focus on the deities’ multiple and shifting representations, overlappings, and modes of actions rather than on individual characters and functions. In Protectors and Predators Faure argues that the “wild” gods of Japan were at the center of the medieval religious landscape and came together in complex webs of association not divisible into the categories of “Buddhist,” “indigenous,” or “Shinto.” Furthermore, among the most important medieval gods, certain ones had roots in Hinduism, others in Daoism and Yin-Yang thought. He displays vast knowledge of his subject and presents his research—much of it in largely unstudied material—with theoretical sophistication. His arguments and analyses assume the centrality of the iconographic record as a complement to the textual record, and so he has brought together a rich and rare collection of more than 170 color and black-and-white images. This emphasis on iconography and the ways in which it complements, supplements, or deconstructs textual orthodoxy is critical to a fuller comprehension of a set of medieval Japanese beliefs and practices and offers a corrective to the traditional division of the field into religious studies, which typically ignores the images, and art history, which oftentimes overlooks their ritual and religious meaning. Protectors and Predators and its companion volumes should persuade readers that the gods constituted a central part of medieval Japanese religion and that the latter cannot be reduced to a simplistic confrontation, parallelism, or complementarity between some monolithic teachings known as “Buddhism” and “Shinto.” Once these reductionist labels and categories are discarded, a new and fascinating religious landscape begins to unfold.

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This work is a monumental achievement. It is the most comprehensive study in English of Japanese medieval mythology and sacred pantheons of kami, Buddhas, bodhisattvas, wisdom kings, bright deities, animal spirits, embryological gods, gods of obstacles, and demons. . . . These two volumes should not only be on the shelves of any student or scholar of Asian religions, cosmology, or mythology, but also continually picked up and reread for rumination as much as for reference.-- Religious Studies Review

This work is a monumental achievement. It is the most comprehensive study in English of Japanese medieval mythology and sacred pantheons of kami, Buddhas, bodhisattvas, wisdom kings, bright deities, animal spirits, embryological gods, gods of obstacles, and demons. . . . These two volumes should not only be on the shelves of any student or scholar of Asian religions, cosmology, or mythology, but also continually picked up and reread for rumination as much as for reference.-- Religious Studies Review Bernard Faure makes use of his extensive knowledge and mastery of postmodern theories to describe the way in which the gods of Japan appear and function in medieval religion. In doing so, he succeeds in showing the fluid nature of the gods. . . . the significance of Faure's work lies in that it clarifies the importance of looking into the structural-psychological nature of cults, an aspect all too often overlooked by historians yet strongly needing its own spotlight of enquiry. There is no doubt that his viewpoints will have a profound and enduring impact on the study of Japanese Buddhism. Last but not least, the different chapters are superbly illustrated with high-quality images, some of which are extremely rare and difficult to acquire. This in itself is a remarkable achievement. Bernard Faure is currently preparing two more volumes in which he will undoubtedly share further valuable insights into the intricate web of the various gods of medieval Japan.-- Journal of Japanese Studies

Author Information

Bernard Faure is Kao Professor in Japanese Religion at Columbia University, USA.

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