Overview

Full Product Details

9780190274115

Table of Contents

Reviews

Projections of Memory is a thoroughly impressive book-highly ambitious, well researched, and lucidly written. Suchenski travels a considerable distance in putting film history into conversation with the history of music, art, theater, and literature, specifically in relation to long-form works. Jonathan Rosenbaum, author of Goodbye Cinema, Hello Cinephilia: Film Culture in Transition Richard Suchenski opens a totally innovative perspective regarding relations between film length, editing, memory, poetry and reality. This groundbreaking work enlightens the resources, and the significance, of the use of a very long format by some specific filmmakers in some specific conditions. It is at the same time perfectly clear about the implication of such an approach, way beyond the 'monuments of the history of cinema' it explicitly focuses on. The sensible quality of Suchenski's writing about specific sequences, scenes, images, or historical and technical components of the filmmaking process provides an understanding and an emotional proximity toward major filmic works, should they be already well-known by the reader or, on the opposite, revealed thanks to this book. Jean-Michel Frodon, author of Le CinA(c)ma franA ais a editor of Cinema and the Shoah: An Art Confronts the Tragedy of the Twentieth Century

Projections of Memory is a thoroughly impressive book-highly ambitious, well researched, and lucidly written. Suchenski travels a considerable distance in putting film history into conversation with the history of music, art, theater, and literature, specifically in relation to long-form works. --Jonathan Rosenbaum, author of Goodbye Cinema, Hello Cinephilia: Film Culture in Transition Richard Suchenski opens a totally innovative perspective regarding relations between film length, editing, memory, poetry and reality. This groundbreaking work enlightens the resources, and the significance, of the use of a very long format by some specific filmmakers in some specific conditions. It is at the same time perfectly clear about the implication of such an approach, way beyond the 'monuments of the history of cinema' it explicitly focuses on. The sensible quality of Suchenski's writing about specific sequences, scenes, images, or historical and technical components of the filmmaking process provides an understanding and an emotional proximity toward major filmic works, should they be already well-known by the reader or, on the opposite, revealed thanks to this book. --Jean-Michel Frodon, author of Le Cinema francais and editor of Cinema and the Shoah: An Art Confronts the Tragedy of the Twentieth Century

Projections of Memory is a thoroughly impressive book--highly ambitious, well researched, and lucidly written. Suchenski travels a considerable distance in putting film history into conversation with the history of music, art, theater, and literature, specifically in relation to long-form works. --Jonathan Rosenbaum, author of Goodbye Cinema, Hello Cinephilia: Film Culture in Transition Richard Suchenski opens a totally innovative perspective regarding relations between film length, editing, memory, poetry and reality. This groundbreaking work enlightens the resources, and the significance, of the use of a very long format by some specific filmmakers in some specific conditions. It is at the same time perfectly clear about the implication of such an approach, way beyond the 'monuments of the history of cinema' it explicitly focuses on. The sensible quality of Suchenski's writing about specific sequences, scenes, images, or historical and technical components of the filmmaking process provides an understanding and an emotional proximity toward major filmic works, should they be already well-known by the reader or, on the opposite, revealed thanks to this book. --Jean-Michel Frodon, author of Le Cinema francais and editor of Cinema and the Shoah: An Art Confronts the Tragedy of the Twentieth Century Projections of Memory shrewdly places the films' achievements within the larger contexts of 19th-century Romanticism, 20th-century modernism, and 21st-century multimedia. Suchenski's writing is always clear, sharp, and insightful; his 92 pages of notes are rich in scholarship; and the 80 illustrations, most in color, beautifully enhance the text. Summing Up: Recommended. -- CHOICE

Projections of Memory is a thoroughly impressive book-highly ambitious, well researched, and lucidly written. Suchenski travels a considerable distance in putting film history into conversation with the history of music, art, theater, and literature, specifically in relation to long-form works. Jonathan Rosenbaum, author of Goodbye Cinema, Hello Cinephilia: Film Culture in Transition Richard Suchenski opens a totally innovative perspective regarding relations between film length, editing, memory, poetry and reality. This groundbreaking work enlightens the resources, and the significance, of the use of a very long format by some specific filmmakers in some specific conditions. It is at the same time perfectly clear about the implication of such an approach, way beyond the 'monuments of the history of cinema' it explicitly focuses on. The sensible quality of Suchenski's writing about specific sequences, scenes, images, or historical and technical components of the filmmaking process provides an understanding and an emotional proximity toward major filmic works, should they be already well-known by the reader or, on the opposite, revealed thanks to this book. Jean-Michel Frodon, author of Le Cinema francais and editor of Cinema and the Shoah: An Art Confronts the Tragedy of the Twentieth Century

Author Information

Richard I. Suchenski is Associate Professor of Film and Electronic Arts and Director of the Center for Moving Image Arts at Bard College. Suchenski has a joint Ph.D. in History of Art and Film Studies from Yale University, and is a film curator. He is the editor of Hou Hsiao-hsien.

Tab Content 6

Customer Reviews

Recent Reviews

Countries Available