Overview

A revised and expanded edition of this popular book that traces the cultural history of the American horror film by focusing on individual films that helped to define or redefine the genre from Dracula (1931) to Get Out (2017). This book examines thirteen films that redefined the notion of cinematic horror and influenced the films that followed: Dracula (1931), The Thing (1951), Psycho (1960), Night of the Living Dead (1968), The Exorcist (1973), The Texas Chainsaw Massacre (1974), Halloween (1978), The Silence of the Lambs (1991), Scream (1996), The Sixth Sense (1999), The Blair Witch Project (1999), Saw (2004), and Get Out (2017). Carefully situating each film in relation to the history of the genre and the cultural contexts in which it emerged, the book explains why certain horror films create a connection with a wide audience. Since the publication of the first edition in 2005, the horror genre has become even more culturally prominent and commercially successful. The genre has also shown rapid development, and several prominent trends have emerged in the 21st century. This edition includes two additional chapters that focus on Saw (2004) and Get Out (2017), as James Wan’s Saw helped to launch a highly successful franchise as well as the subgenre of “torture porn,” while Jordan Peele’s Get Out inaugurated a broader cultural conversation about the power of horror narratives to interrogate systems of ideology and oppression.

Full Product Details

9798765122204

Table of Contents

Reviews

With the addition of The Blair Witch Project, Saw, and Get Out, Phillips extends his excellent analysis of the rhetoric of horror film to present day horror and makes this book even more essential for teachers, researchers, and lovers of horror at any level. * Michele Ramsey, Associate Professor, Communication Arts & Sciences and Women’s, Gender, & Sexuality Studies, Penn State Berks, USA *

With the addition of The Blair Witch Project, Saw, and Get Out, Phillips extends his excellent analysis of the rhetoric of horror film to present day horror and makes this book even more essential for teachers, researchers, and lovers of horror at any level. * Michele Ramsey, Associate Professor, Communication Arts & Sciences and Women’s, Gender, & Sexuality Studies, Penn State Berks, USA * Kendall Philips’s Projected Fears is a keenly argued exegesis of American horror films and the cultural contexts from which they emerge. This new edition, which includes two new chapters – on Saw and Get Out respectively – and a new introduction assessing the place of horror films within contemporary academic discourse, will – like the first – make an excellent teaching resource and generate much debate within and beyond Horror Studies. * Johnny Walker, Head of Visual Communication and Digital Cultures and Co-founder of the Horror Studies Research Group, Northumbria University, UK *

With the addition of The Blair Witch Project, Saw, and Get Out, Phillips extends his excellent analysis of the rhetoric of horror film to present day horror and makes this book even more essential for teachers, researchers, and lovers of horror at any level. * Michele Ramsey, Associate Professor, Communication Arts & Sciences and Women’s, Gender, & Sexuality Studies, Penn State Berks, USA * Kendall Philips’s Projected Fears is a keenly argued exegesis of American horror films and the cultural contexts from which they emerge. This new edition, which includes two new chapters – on Saw and Get Out respectively – and a new introduction assessing the place of horror films within contemporary academic discourse, will – like the first – make an excellent teaching resource and generate much debate within and beyond Horror Studies. * Johnny Walker, Head of Visual Communication and Digital Cultures and Co-founder of the Horror Studies Research Group, Northumbria University, UK * Projected Fears is an indispensable resource for anyone interested in understanding the relationship between culture and horror. Phillips’s theory of popular horror films as “resonant violations” is foundational for understanding how these movies jolt viewers into new ways of thinking about their social and political contexts. This second edition provides additional insight into horror cinema’s growing popularity and status as a subject of academic inquiry. The two new chapters on the movies Saw and Get Out help to make this book an easy choice for use in undergraduate rhetoric, film, and media studies classes. * Kristen Hoerl, Associate Professor of Rhetoric and Public Culture, University of Nebraska-Lincoln, USA *

Author Information

Kendall R. Phillips is Professor of Communication and Rhetorical Studies at Syracuse University, USA, where he teaches courses on rhetoric, popular culture, and public memory.

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