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OverviewFull Product DetailsAuthor: Jonathan Kregor (University of Cincinnati)Publisher: Cambridge University Press Imprint: Cambridge University Press Dimensions: Width: 18.00cm , Height: 1.80cm , Length: 25.30cm Weight: 0.830kg ISBN: 9781107032521ISBN 10: 1107032520 Pages: 332 Publication Date: 15 January 2015 Audience: College/higher education , Professional and scholarly , Tertiary & Higher Education , Professional & Vocational Format: Hardback Publisher's Status: Active Availability: Manufactured on demand ![]() We will order this item for you from a manufactured on demand supplier. Table of ContentsIntroduction; 1. Characters, topics, and the programmatic battlefield; 2. Expression, musical painting, and the concert overture; 3. Berlioz and Schumann on music and literature; 4. Liszt and the symphonic poem; 5. The New German School and beyond; 6. Excursus: Faust; 7. Programmatic paths around the fin de siècle: Mahler and Strauss; 8. Programming the nation; 9. 'Ars Gallica'.Reviews'Jonathan Kregor's Program Music is easy to read, comprehend, and adjust to any educational level. The Cambridge Introductions to Music series boasts that the books are formulated to appeal to a wide range of students and interested readers; I would agree that this book meets those standards.' Patricia Josette Moss, Notes: Quarterly Journal of the Music Library Association 'Jonathan Kregor's Program Music is easy to read, comprehend, and adjust to any educational level. The Cambridge Introductions to Music series boasts that the books are formulated to appeal to a wide range of students and interested readers; I would agree that this book meets those standards.' Patricia Josette Moss, Notes: Quarterly Journal of the Music Library Association Author InformationJonathan Kregor is Associate Professor of Musicology at the University of Cincinnati's College-Conservatory of Music. He is the author of Liszt as Transcriber (Cambridge University Press, 2010), winner of the inaugural Alan Walker Book Award from the American Liszt Society, as well as articles and reviews in numerous academic journals. Since 2012 he has been editor of the Journal of the American Liszt Society. His research interests in musical reproduction, confluences of virtuosity and gender, and music and memory have led to critical editions of works by C. P. E. Bach and Clara Schumann. Tab Content 6Author Website:Countries AvailableAll regions |