Overview

A solid, . . . well-written contribution to Hawthorne criticism . . . The author is thoroughly in control of what has been written about Hawthorne and skillfully places her own work in the context of this scholarship and criticism. So far as I know, she is the first critic to consider the probable influence of the 'perfectionists' on Hawthorne's art. She also enriches our understanding of the organic and the mechanical and offers perceptive readings of the major works."""" —Roy R. Male, University of Oklahoma

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9780817300517

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Well-focused, incisive, and exciting. --Richard Harter Fogle, University of North Carolina at Chapel Hill A solid, . . . well-written contribution to Hawthorne criticism . . . The author is thoroughly in control of what has been written about Hawthorne and skillfully places her own work in the context of this scholarship and criticism. So far as I know, she is the first critic to consider the probable influence of the 'perfectionists' on Hawthorne's art. She also enriches our understanding of the organic and the mechanical and offers perceptive readings of the major works. --Roy R. Male, University of Oklahoma The chief originality of [The Productive Tension of Hawthorne's Art] lies in its discussion of perfectionism; but its analyses are in general intelligent, moderate, and useful. --Library Journal On the whole, Claudia D. Johnson's The Productive Tension of Hawthorne's Art is a thoughtful new treatment of an old but fundamental subject developed in a lucid economical style. . . . . an uncommonly valuable book in a field that in recent years has been marked by distinguished contributions. --South Atlantic Review

The chief originality of [The Productive Tension of Hawthorne's Art] lies in its discussion of perfectionism; but its analyses are in general intelligent, moderate, and useful. --Library Journal On the whole, Claudia D. Johnson's The Productive Tension of Hawthorne's Art is a thoughtful new treatment of an old but fundamental subject developed in a lucid economical style. . . . . an uncommonly valuable book in a field that in recent years has been marked by distinguished contributions. --South Atlantic Review Well-focused, incisive, and exciting. --Richard Harter Fogle, University of North Carolina at Chapel Hill A solid, . . . well-written contribution to Hawthorne criticism . . . The author is thoroughly in control of what has been written about Hawthorne and skillfully places her own work in the context of this scholarship and criticism. So far as I know, she is the first critic to consider the probable influence of the 'perfectionists' on Hawthorne's art. She also enriches our understanding of the organic and the mechanical and offers perceptive readings of the major works. --Roy R. Male, University of Oklahoma

Well-focused, incisive, and exciting. --Richard Harter Fogle, University of North Carolina at Chapel Hill A solid, . . . well-written contribution to Hawthorne criticism . . . The author is thoroughly in control of what has been written about Hawthorne and skillfully places her own work in the context of this scholarship and criticism. So far as I know, she is the first critic to consider the probable influence of the 'perfectionists' on Hawthorne's art. She also enriches our understanding of the organic and the mechanical and offers perceptive readings of the major works. --Roy R. Male, University of Oklahoma The chief originality of [The Productive Tension of Hawthorne's Art] lies in its discussion of perfectionism; but its analyses are in general intelligent, moderate, and useful. --Library Journal On the whole, Claudia D. Johnson's The Productive Tension of Hawthorne's Art is a thoughtful new treatment of an old but fundamental subject developed in a lucid economical style. . . . . an uncommonly valuable book in a field that in recent years has been marked by distinguished contributions. --South Atlantic Review

Well-focused, incisive, and exciting. --Richard Harter Fogle, University of North Carolina at Chapel Hill A solid, . . . well-written contribution to Hawthorne criticism . . . The author is thoroughly in control of what has been written about Hawthorne and skillfully places her own work in the context of this scholarship and criticism. So far as I know, she is the first critic to consider the probable influence of the 'perfectionists' on Hawthorne's art. She also enriches our understanding of the organic and the mechanical and offers perceptive readings of the major works. --Roy R. Male, University of Oklahoma The chief originality of [The Productive Tension of Hawthorne's Art] lies in its discussion of perfectionism; but its analyses are in general intelligent, moderate, and useful. --Library Journal On the whole, Claudia D. Johnson's The Productive Tension of Hawthorne's Art is a thoughtful new treatment of an old but fundamental subject developed in a lucid economical style. . . . . an uncommonly valuable book in a field that in recent years has been marked by distinguished contributions. --South Atlantic Review

Well-focused, incisive, and exciting. --Richard Harter Fogle, University of North Carolina at Chapel Hill A solid, . . . well-written contribution to Hawthorne criticism . . . The author is thoroughly in control of what has been written about Hawthorne and skillfully places her own work in the context of this scholarship and criticism. So far as I know, she is the first critic to consider the probable influence of the 'perfectionists' on Hawthorne's art. She also enriches our understanding of the organic and the mechanical and offers perceptive readings of the major works. --Roy R. Male, University of Oklahoma The chief originality of [The Productive Tension of Hawthorne's Art] lies in its discussion of perfectionism; but its analyses are in general intelligent, moderate, and useful. --Library Journal On the whole, Claudia D. Johnson's The Productive Tension of Hawthorne's Art is a thoughtful new treatment of an old but fundamental subject developed in a lucid economical style. . . . . an uncommonly valuable book in a field that in recent years has been marked by distinguished contributions. --South Atlantic Review

Author Information

Claudia D. Johnson is a former professor of English at the University of Alabama. Her scholarship focuses on ""gothicism"" in To Kill a Mockingbird, the role of prostitutes as patrons of the theater in the nineteenth century, and Hawthorne and early American religion. She is the author of nine books as well as the author or editor of eighteen reference and textbooks. She lives in Berkeley, California.

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