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a major advance in our knowledge of the production of prints. Roger Gaskell, Ffawyddog, Crickhowell. In: The Library, 7.17.4 (December 2016), pp. 453-461. Every essay is amply supported by images and, as is only to be expected from Brill, the publisher of the Handpress World series, and the printer, Drukkerij Wilco B.V. of Amersfoort, the superb quality of the figures, not least in the matter of colour accuracy, meets the high demands of this much-needed book. Timothy Wilks, Southampton Solent University. In: Journal of the Printing Historical Society, New Series 25 (Winter 2016), pp. 92-93.

a major advance in our knowledge of the production of prints. Roger Gaskell, Ffawyddog, Crickhowell. In: The Library, 7.17.4 (December 2016), pp. 453-461. This magnificently illustrated volume contains nineteen studies on various aspects of early color printing in Western Europe. [...] Undoubtedly, Printing Colour will become an indispensable reference for our understanding of early color printing. Pablo Alvarez, University of Michigan. In: Renaissance Quarterly, Vol. 71, No. 4 (Winter 2018), pp. 1453-1455. Every essay is amply supported by images and, as is only to be expected from Brill, the publisher of the Handpress World series, and the printer, Drukkerij Wilco B.V. of Amersfoort, the superb quality of the figures, not least in the matter of colour accuracy, meets the high demands of this much-needed book. Timothy Wilks, Southampton Solent University. In: Journal of the Printing Historical Society, New Series 25 (Winter 2016), pp. 92-93.

a major advance in our knowledge of the production of prints. Roger Gaskell, Ffawyddog, Crickhowell. In: The Library, 7.17.4 (December 2016), pp. 453-461. Every essay is amply supported by images and, as is only to be expected from Brill, the publisher of the Handpress World series, and the printer, Drukkerij Wilco B.V. of Amersfoort, the superb quality of the figures, not least in the matter of colour accuracy, meets the high demands of this much-needed book. Timothy Wilks, Southampton Solent University. In: Journal of the Printing Historical Society, New Series 25 (Winter 2016), pp. 92-93.

Author Information

Ad Stijnman PhD (Amsterdam) FRHistS, is a researcher on historical printmaking materials and processes at the Rijksmuseum, Amsterdam. He has published monographs and numerous articles on the practical aspects of historical printing and printmaking techniques, including Engraving and Etching 1400-2000 (Archetype 2012). Elizabeth Savage PhD (Cambridge), is a 2015-18 British Academy Postdoctoral Fellow at The John Rylands Research Institute, University of Manchester. Her research into early modern colour printing techniques has won two international awards and been published in leading journals.

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