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OverviewThis volume discusses the commerce of music and its connection to the printing and publishing industry in mid-sixteenth century Venice. Music printers occupied a unique niche in the Renaissance printing world because their product appealed to those with sophisticated taste and was not readable by the entire literate public. Bridging the gap between music and other disciplines, Bernstein demonstrates here that the role of a music printer can be discussed as part of the larger cultural and economic question of the success of a commercial enterprise. Full Product DetailsAuthor: Jane A. Bernstein (Austin Fletcher Professor of Music, Austin Fletcher Professor of Music, Tufts University)Publisher: Oxford University Press Imprint: Oxford University Press Dimensions: Width: 22.90cm , Height: 1.40cm , Length: 15.20cm Weight: 0.367kg ISBN: 9780195141085ISBN 10: 0195141083 Pages: 256 Publication Date: 17 January 2002 Audience: Professional and scholarly , Professional & Vocational Format: Paperback Publisher's Status: Active Availability: To order ![]() Stock availability from the supplier is unknown. We will order it for you and ship this item to you once it is received by us. Table of ContentsReviewsAn authoritative, well-illustrated, compact study. -Chronique ... should be greeted with cheers and hoorays. Bernstein has carried off a gigantic feat of scholarship with precision, intelligence, and spirit. Renaissance Quarterly ... a wonderful tool for classes and individual scholars' libraries. Renaissance Quarterly ... a requirement for every music library. Sixteenth Century Journal should be greeted with cheers and hoorays. Bernstein has carried off a gigantic feat of scholarship with precision, intelligence, and spirit. Renaissance Quarterly ... a wonderful tool for classes and individual scholars' libraries. Renaissance Quarterly ... a requirement for every music library. Sixteenth Century Journal Author InformationTab Content 6Author Website:Countries AvailableAll regions |