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OverviewIn !Presente! Diana Taylor asks what it means to be physically and politically present in situations where it seems that nothing can be done. As much an act, a word, an attitude, a theoretical intervention, and a performance pedagogy, Taylor maps !presente! at work in scenarios ranging from conquest, through colonial enactments and resistance movements, to present moments of capitalist extractivism and forced migration in the Americas. !Presente!-present among, with, and to; a walking and talking with others; an ontological and epistemic reflection on presence and subjectivity as participatory and relational, founded on mutual recognition-requires rethinking and unlearning in ways that challenge colonial epistemologies. Showing how knowledge is not something to be harvested but a process of being, knowing, and acting with others, Taylor models a way for scholarship to be present in political struggles. Full Product DetailsAuthor: Diana TaylorPublisher: Duke University Press Imprint: Duke University Press Weight: 0.544kg ISBN: 9781478009443ISBN 10: 1478009446 Pages: 344 Publication Date: 14 August 2020 Audience: Professional and scholarly , Professional & Vocational Format: Paperback Publisher's Status: Active Availability: In Print ![]() This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us. Table of ContentsPrologue: Jumping the Fence ix 1. ¡Presente! 1 2. Enacting Refusal: Political Animatives 45 3. Camino Largo: The Zapatistas' Long Road toward Autonomy 67 4. Making Presence 105 5. Traumatic Memes 127 6. We Have Always Been Queer 153 7. Tortuous Routes: Four Walks through Villa Grimaldi 175 8. Dead Capital 203 9. The Decision Dilemma 226 Epilogue 245 Notes 251 Bibliography 299 Index 321ReviewsDiana Taylor advances a timely and necessary theorization of the politics of performance, delivering nuanced and heartfelt analysis of the creative strategies of artists and activists who labor to intervene in historical and contemporary injustices across the Americas. Showcasing Taylor as a scholar, activist, and accomplice present at the site of performance, !Presente! is an intellectually brilliant and crucial model of politically engaged theory. -- Ramon H. Rivera-Servera, coeditor of * Blacktino Queer Performance * A major project drawn from a life's work of travel, searching, introspection, and unceasing political commitment to and collaborations with artists and activists, !Presente! is a work of great power, poetics, and political impact. -- Josh Kun, University of Southern California Annenberg School of Communication For a work so theoretically rigorous, !Presente! stands out for its wide legibility. By foregoing unnecessary academic jargon and taking pains to explain her own ethical entanglements in plain English, Taylor's scholarship makes for a surprisingly smooth read, though it is at times heartbreaking: she does not minimize the grimmer aspects of her subject matter, which include devastating accounts of kidnappings, torture, and genocide. The uninitiated reader will find her writing clear and unpretentious, and may discover that her gloss of the postcolonial canon does much to demystify. -- Sam Adrien Smith * Full Stop * A valuable meditation on what it means to practice the responsibility of writing through social relations, on creating new ways of doing and being in academia, performance, and life. -- Analola Santana * Theatre Survey * Diana Taylor advances a timely and necessary theorization of the politics of performance, delivering nuanced and heartfelt analysis of the creative strategies of artists and activists who labor to intervene in historical and contemporary injustices across the Americas. Showcasing Taylor as a scholar, activist, and accomplice present at the site of performance, !Presente! is an intellectually brilliant and crucial model of politically engaged theory. -- Ramon H. Rivera-Servera, coeditor of * Blacktino Queer Performance * Author InformationDiana Taylor is University Professor and Professor of Performance Studies and Spanish at New York University. She is the author and editor of several books, including Performance; The Archive and the Repertoire: Performing Cultural Memory in the Americas; and Disappearing Acts: Spectacles of Gender and Nationalism in Argentina's “Dirty War,” all also published by Duke University Press. Taylor was founding director of the Hemispheric Institute of Performance and Politics from 1998 to 2020. In 2018 she was inducted into the American Academy of Arts and Sciences. Tab Content 6Author Website:Countries AvailableAll regions |