Overview

This book series aims to systematically present the achievements of archaeological research in Zhejiang, deeply explore the roots of Zhejiang's culture, and provide Zhejiang's material evidence to support the exploration of the origins of Chinese civilization. 本丛书旨在系统梳理浙江考古成果，深入发掘浙江文化根脉，为中华文明探源贡献浙江材料支撑。 The purpose of studying prehistoric art extends beyond exploring the origins of aesthetics; it is also to investigate the spiritual world of early humans through the material cultural remains of the prehistoric era. Prehistoric Zhejiang contributed a wide variety of artistic themes, including ancient painted pottery artifacts, unparalleled jade craftsmanship, and uniquely carved decorative arts. More importantly, these embody the spiritual thread that runs through the development of Zhejiang's prehistoric archaeological culture. This book employs archaeological research methods as its primary approach, weaving together four distinct thematic sections to form its overall structure. By extracting recurring ""patterns"" from different types and forms of artistic themes, it seeks to construct appropriate rules for interpreting symbolic meanings, aiming to overcome the common bottleneck in prehistoric art research caused by subjective analogies. 史前美术的研究目的，除了探讨审美的起源，更是为了通过史前物质文化遗存，研究早期人类的精神世界。史前的浙江，贡献了年代久远的彩陶器物、登峰造极的玉器工艺、独具匠心的刻纹艺术等种类繁多的美术题材，更重要的是，其中蕴含着贯穿浙江史前考古学文化发展的精神脉络。本书以考古学的研究方法为主，串联四个不同的专题，形成全书架构，通过提取不同种类、不同形式美术题材中不断重复的""模式""，构建适当的用以阐释象征意义的规律，以期突破史前美术研究中常见的因主观类比造成的认识瓶颈。

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