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OverviewWhat does an image of a pregnant woman mean? Pregnant with meaning but resistant to interpretation, photos of pregnant bodies rarely appear in public. When they do, they viscerally challenge society's perception of women, sex, and reproduction. Pregnant Pictures assembles an astonishing and visually powerful collection of over 200 photos of pregnant women in the twentieth century. These varied images - from medical textbooks, childbirth manuals, and ads for maternity clothes to family snapshots, fine art photos, even Annie Leibovitz's celebrity portraits - defy any typical notion of pregnancy. Together, they make a vital contribution to feminist understandings of pregnancy as experienced by women from all walks of life. Full Product DetailsAuthor: Sandra Matthews , Laura WexlerPublisher: Taylor & Francis Ltd Imprint: Routledge Dimensions: Width: 17.80cm , Height: 2.20cm , Length: 22.90cm Weight: 0.680kg ISBN: 9780415904490ISBN 10: 0415904498 Pages: 282 Publication Date: 26 July 2000 Audience: College/higher education , Undergraduate , Postgraduate, Research & Scholarly Format: Hardback Publisher's Status: Active Availability: In Print This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us. Table of ContentsContents: Introduction; 1. Why Pregnant Pictures; 2. The Labors of Art; 3. Family Photographs and the Pregnant Pose; 4. Medical Imaging, Pregnancy and the Social Body; 5. Promoting Pregnancy: Instruction, Advertising and Public Policy; 6. From Fetal Icon to Pregnant Icon; Epilogue Photographing Pregnancy in the Age of Mechanical ReproductionReviews... skillfully unravels the hidden politics behind the imagery. <br>-Village Voice Literary Supplement <br> This book establishes pregnant pictures as a genre and pregnancy itself as a shape and an experience worthy of aesthetic attention. As elastic as the pregnant bodies they portray, these photos encompass and express the multiple dimensions of pregnancy and the many subtleties of the pregnant woman, from the archetypal to the idiosyncratic. A stunning collection and a fascinating analysis!. <br>-Robbie Davis-Floyd, author of Birth as an American Rite of Passage <br>... presents a revolutionary body of images and analyses. What an astonishing archive Matthews and Wexler have assembled! Scholars and artists will be making reference to this book for years to come. <br>-Wayne Koestenbaum, author of Jackie Under My Skin: Interpreting an Icon <br> In tracing pictures of pregnancy in modernist art photography, childbirth books, medical texts, advertising images and family photographs, Wexler and Matthews reveal the shifting social attitudes about pregnancy in the twentieth century. Inventing a vocabulary to discuss forms of representation that have remained as invisible in popular as in academic discourse, they have offered us a stunning collection of images, and a wonderful introduction to a new feminist photographic theory and practice. <br>-Marianne G. Hirsch, author of Family Frames: Photography, Narrative and Postmemory <br> ... skillfully unravels the hidden politics behind the imagery. -Village Voice Literary Supplement This book establishes pregnant pictures as a genre and pregnancy itself as a shape and an experience worthy of aesthetic attention. As elastic as the pregnant bodies they portray, these photos encompass and express the multiple dimensions of pregnancy and the many subtleties of the pregnant woman, from the archetypal to the idiosyncratic. A stunning collection and a fascinating analysis!. -Robbie Davis-Floyd, author of Birth as an American Rite of Passage ... presents a revolutionary body of images and analyses. What an astonishing archive Matthews and Wexler have assembled! Scholars and artists will be making reference to this book for years to come. -Wayne Koestenbaum, author of Jackie Under My Skin: Interpreting an Icon In tracing pictures of pregnancy in modernist art photography, childbirth books, medical texts, advertising images and family photographs, Wexler and Matthews reveal the shifting social attitudes about pregnancy in the twentieth century. Inventing a vocabulary to discuss forms of representation that have remained as invisible in popular as in academic discourse, they have offered us a stunning collection of images, and a wonderful introduction to a new feminist photographic theory and practice. -Marianne G. Hirsch, author of Family Frames: Photography, Narrative and Postmemory This book establishes pregnant pictures as a genre and pregnancy itself as a shape and an experience worthy of aesthetic attention. As elastic as the pregnant bodies they portray, these photos encompass and express the multiple dimensions of pregnancy and the many subtleties of the pregnant woman, from the archetypal to the idiosyncratic. A stunning collection and a fascinating analysis! -- Robbie Davis-Floyd, author of Birth as an American Rite of Passage ... presents a revolutionary body of images and analyses. What an astonishing archive Matthews and Wexler have assembled! Scholars and artists will be making reference to this book for years to come. -- Wayne Koestenbaum, author of Jackie Under My Skin: Interpreting an Icon In tracing pictures of pregnancy in modernist art photography, childbirth books, medical texts, advertising images and family photographs, Wexler and Matthews reveal the shifting social attitudes about pregnancy in the twentieth century. Inventing a vocabulary to discuss forms of representation that have remained as invisible in popular as in academic discourse, they have offered us a stunning collection of images, and a wonderful introduction to a new feminist photographic theory and practice. -- Marianne G. Hirsch, author of Family Frames: Photography, Narrative and Postmemory ...skillfully unravels the hidden politics behind the imagery. -- Village Voice Literary Supplement Author InformationSandra Matthews is a writer and photographer. Essays of hers have appeared in Afterimage and Exposure, and her photographs have been exhibited internationally. She is also Associate Professor of Film and Photography at Hampshire College.Laura Wexler is Associate Professor of American Studies and Women's Studies at Yale University. She is the author of the forthcoming Tender Violence:Domestic Images in an Age of U.S. Imperialism. Tab Content 6Author Website:Countries AvailableAll regions |
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