|
|
|||
|
||||
OverviewPrecarious Professionals uncovers the inequalities and insecurities which lay at the heart of professional life in nineteenth- and twentieth-century Britain. The book challenges conventional categories in the history of work, exploring instead the everyday labour of maintaining a professional identity on the margins of the traditional professions. Situating new historical perspectives on gender at the forefront of their research, the contributors explore how professional cultures could not only define themselves against, but often flourished outside of, the confines of patriarchal codes and structures. Putting the lives of precarious professionals in dialogue with master narratives in modern British history, the chapters in this volume re-evaluate the relationship between professional identity and social change. The collection offers twelve fascinating studies of women and men who held positions in art and science, high culture and popular journalism, private enterprise and public service between the 1840s and the 1960s. From pioneering women lawyers and scientists to ballet dancers, secretaries, historians, humanitarian relief workers, social researchers, and Cold War diplomats, the book reveals that precarity was a thread woven throughout the very fabric of modern professional life, with far-reaching implications for the study of power, privilege, and expertise. Together, these essays enrich our understanding of the histories and mysteries of professional identity and help us to reimagine the future of work in precarious times. Full Product DetailsAuthor: Heidi Egginton , Zoë ThomasPublisher: University of London Imprint: University of London Press ISBN: 9781912702596ISBN 10: 1912702592 Pages: 368 Publication Date: 15 October 2021 Audience: Professional and scholarly , Professional & Vocational Format: Hardback Publisher's Status: Active Availability: In Print This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us. Table of ContentsIntroduction Heidi Egginton and Zoë Thomas 1. Anna Jameson and the Claims of Art Criticism in Nineteenth Century England Benjamin Dabby 2. Women, Science and Professional Identity, c.1860-1914 Claire G. Jones 3. Brother barristers: Masculinity and the Culture of the Victorian Bar Ren Pepitone 4. Legal Paperwork and Public Policy: Eliza Orme’s Professional Expertise in Late-Victorian Britain Leslie Howsam 5. Marriage and Metalwork: Gender and Professional Status in Edith and Nelson Dawson’s Arts and Crafts Partnership Zoë Thomas 6 ‘Giggling Adolescents’ to Refugees, Bullets, and Wolves: Francesca Wilson Finds a Profession Ellen Ross 7. Women at Work in the League Secretariat Susan Pedersen 8. Ninette de Valois and the Transformation of Early-Twentieth Century British Ballet Laura Quinton 9. Archives, Autobiography, and the Professional Woman: The Personal Papers of Mary Agnes Hamilton Heidi Egginton 10. Women Historians in the Twentieth Century Laura Carter 11. Feminism, Selfhood, and Social Research: Professional Women’s Organisations in 1960s Britain Helen McCarthy 12. The ‘Spotting a Homosexual Checklist’: Masculinity, Homosexuality, and the British Foreign Office, 1965-1970 James Southern Afterword Christina de BellaigueReviewsThis handbook provides a most comprehensive guide to the establishment and the operation of a Tax Clinic anywhere in the world. The international handbook provides a blueprint for any university tax academic contemplating the establishment of a tax clinic or a manager at a not-for-profit institution. … this international handbook is highly recommended reading for all universities throughout the world that offer business and law degrees and courses that include taxation law. -- John McLaren * British Tax Review * Author InformationHeidi Egginton is a curator of political collections at the National Library of Scotland. She has published articles in the Journal of Victorian Culture and Twentieth-Century British History. Zoë Thomas is assistant professor of nineteenth-century Britain and the wider world at the University of Birmingham. She is the author of Women Art Workers and the Arts and Crafts Movement and coeditor of Suffrage and the Arts: Visual Culture, Politics, and Enterprise with Miranda Garrett. Tab Content 6Author Website:Countries AvailableAll regions |
||||