Awards

• Nominated for ALAA-Arvey Foundation Book Award 2023

Overview

In Praying to Portraits, art historian Adam Jasienski examines the history, meaning, and cultural significance of a crucial image type in the early modern Hispanic world: the sacred portrait. Across early modern Spain and Latin America, people prayed to portraits. They prayed to “true” effigies of saints, to simple portraits that were repainted as devotional objects, and even to images of living sitters depicted as holy figures. Jasienski places these difficult-to-classify image types within their historical context. He shows that rather than being harbingers of secular modernity and autonomous selfhood, portraits were privileged sites for mediating an individual’s relationship to the divine. Using Inquisition records, hagiographies, art-theoretical treatises, poems, and plays, Jasienski convincingly demonstrates that portraiture was at the very center of broader debates about the status of images in Spain and its colonies. Highly original and persuasive, Praying to Portraits profoundly revises our understanding of early modern portraiture. It will intrigue art historians across geographical boundaries, and it will also find an audience among scholars of architecture, history, and religion in the early modern Hispanic world.

Full Product Details

9780271093444

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Reviews

“Anyone concerned with questions of diverse (and even contesting) viewership, mutability in and of art, and mediations between the religious and the modern, will profit from Jasienski’s book. Guided by his insights, we can return to even so familiar a work as Titian’s equestrian portrait of Charles V and see it from a fresh perspective.” —Nathalie Miraval CAA.Reviews “This brilliantly original book illuminates the relationship, long debated by scholars, between portraiture and religious images in early modern Spain and its empire. Throughout, Jasienski engages an impressively wide range of texts, whether writings on naturalism in portraiture, treatises on God-given royal power, or Inquisitorial condemnations of idolatrous devotion to portraits. Praying to Portraits is a book of great interpretive breadth and depth, and it makes a major contribution to our understanding of the visual culture of the Spanish world.” —Tanya J. Tiffany,author of Diego Velázquez’s Early Paintings and the Culture of Seventeenth-Century Seville

This brilliantly original book illuminates the relationship, long debated by scholars, between portraiture and religious images in early modern Spain and its empire. Throughout, Jasienski engages an impressively wide range of texts, whether writings on naturalism in portraiture, treatises on God-given royal power, or Inquisitorial condemnations of idolatrous devotion to portraits. Praying to Portraits is a book of great interpretive breadth and depth, and it makes a major contribution to our understanding of the visual culture of the Spanish world. -Tanya J. Tiffany, author of Diego Velazquez's Early Paintings and the Culture of Seventeenth-Century Seville

“Anyone concerned with questions of diverse (and even contesting) viewership, mutability in and of art, and mediations between the religious and the modern, will profit from Jasienski’s book. Guided by his insights, we can return to even so familiar a work as Titian’s equestrian portrait of Charles V and see it from a fresh perspective.” —Nathalie Miraval CAA.Reviews “Engaging saints and royalty, elite and non-elite audiences, viewers in Spain and New Spain, the book emphasizes how flexible and complicated paintings could be, with deeply pious motivations often challenging official Church policies. Jasienski looks and listens well. Even better, he helps readers do the same.” —C. A. Hanson Choice “This brilliantly original book illuminates the relationship, long debated by scholars, between portraiture and religious images in early modern Spain and its empire. Throughout, Jasienski engages an impressively wide range of texts, whether writings on naturalism in portraiture, treatises on God-given royal power, or Inquisitorial condemnations of idolatrous devotion to portraits. Praying to Portraits is a book of great interpretive breadth and depth, and it makes a major contribution to our understanding of the visual culture of the Spanish world.” —Tanya J. Tiffany,author of Diego Velázquez’s Early Paintings and the Culture of Seventeenth-Century Seville

“Anyone concerned with questions of diverse (and even contesting) viewership, mutability in and of art, and mediations between the religious and the modern, will profit from Jasienski’s book. Guided by his insights, we can return to even so familiar a work as Titian’s equestrian portrait of Charles V and see it from a fresh perspective.” —Nathalie Miraval CAA.Reviews “Engaging saints and royalty, elite and non-elite audiences, viewers in Spain and New Spain, the book emphasizes how flexible and complicated paintings could be, with deeply pious motivations often challenging official Church policies. Jasienski looks and listens well. Even better, he helps readers do the same.” —C. A. Hanson Choice “Praying to Portraits is beautifully illustrated, clearly written, and cogently argued. It is a significant contribution that will be of interest to scholars and students of the early modern world, not just the Hispanic world, and especially for those engaged in understanding early modern visual culture and practice.” —Susan Deans-Smith Hispanic American Historical Review “This is a book with very clear methodological approaches and with concrete research questions, to which it seeks open-ended answers that fit the global context of the Spanish monarchy. The visual and critical apparatus is dazzling, and the book uses it effectively to convince the reader of its arguments and to open up the debate regarding other artistic genres that still await studies as magnificent as the one the author of this volume has given us.” —Borja Franco Llopis Philostrato “This brilliantly original book illuminates the relationship, long debated by scholars, between portraiture and religious images in early modern Spain and its empire. Throughout, Jasienski engages an impressively wide range of texts, whether writings on naturalism in portraiture, treatises on God-given royal power, or Inquisitorial condemnations of idolatrous devotion to portraits. Praying to Portraits is a book of great interpretive breadth and depth, and it makes a major contribution to our understanding of the visual culture of the Spanish world.” —Tanya J. Tiffany, author of Diego Velázquez’s Early Paintings and the Culture of Seventeenth-Century Seville

Author Information

Adam Jasienski is Associate Professor of Art History in the Meadows School of the Arts at Southern Methodist University in Dallas, Texas.

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