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A sophisticated, revealing study about the ethical imperative present in Middle English texts that are of a mixed form, specifically those works that are 'prosimetric, ' containing a mixture of prose and verse. . . . Highly recommended. --A. L. Kaufman, Auburn University at Montgomery Choice -A sophisticated, revealing study about the ethical imperative present in Middle English texts that are of a mixed form, specifically those works that are 'prosimetric, ' containing a mixture of prose and verse. . . . Highly recommended.---A. L. Kaufman, Auburn University at Montgomery -Choice - -This rivetingly original work is the book we've all been waiting for. In this relentlessly thematic age, Eleanor Johnson shows us why form still matters, to us and to our comprehension of the literary past, and she does so with bracing intelligence and a fine eye for formal and stylistic detail. Moving from Boethius and his continental legacy into the Middle English tradition, Practicing Literary Theory in the Middle Ages tells a compelling story about the intricate yet transformative effects of prose and poetry as imagined and practiced in a range of works in several languages. Johnson is a kind of literary-critical mechanic, revealing with brilliance and skill how particular formal and rhetorical elements work discretely and together to shape the readerly process--not for its own sake, but for the larger premodern project of personal ethical transformation. The research is first-rate and the arguments original, and the book will have an immediate and lasting effect on the study of medieval literature.---Bruce Holsinger, University of Virginia -Practicing Literary Theory in the Middle Ages is as daring as it is original, for it not only shows us just how many Middle English texts share a prosimetric structure, but the extent to which their writers understood the 'mixed form' as a means for ethical transformation, a way of making literature not only a forum for defining or representing 'the good, ' but also an instrument that caused readers to feel it, in the deepest, aesthetic sense. Johnson's close attention to literary style, to rhythm (of both verse and prose), and to form in the broadest sense answers to the general thirst in all literary studies for a return to the text. But the book will be most eye-opening to those who care about the English Middle Ages and its most commonly read texts, as it uses the closest of readings to work back to a wholly new understanding of what the writers of these texts thought literature was for.---Christopher Cannon, New York University -This lucid and insightful study offers a new way of thinking about the necessary relation of form and ethics in late-medieval writing. In Practicing Literary Theory in the Middle Ages, Eleanor Johnson examines the mixed form--notably the combinations of verse and prose that constitute the prosimetrum--from Martianus Capella and Boethius to Chaucer, Usk, Gower, and Hoccleve. For these authors, experiments in form become an active site for ethical engagement, and for mirroring a narrator's journey in a reader's. Johnson's exciting book will be indispensable for those readers interested in reimagining the uses of formalism in medieval literature and medieval literary studies.---Jessica Brantley, Yale University This rivetingly original work is the book we've all been waiting for. In this relentlessly thematic age, Eleanor Johnson shows us why form still matters, to us and to our comprehension of the literary past, and she does so with bracing intelligence and a fine eye for formal and stylistic detail. Moving from Boethius and his continental legacy into the Middle English tradition, Practicing Literary Theory in the Middle Ages tells a compelling story about the intricate yet transformative effects of prose and poetry as imagined and practiced in a range of works in several languages. Johnson is a kind of literary-critical mechanic, revealing with brilliance and skill how particular formal and rhetorical elements work discretely and together to shape the readerly process--not for its own sake, but for the larger premodern project of personal ethical transformation. The research is first-rate and the arguments original, and the book will have an immediate and lasting effect on the study of medieval literature. --Bruce Holsinger, University of Virginia Practicing Literary Theory in the Middle Ages is as daring as it is original, for it not only shows us just how many Middle English texts share a prosimetric structure, but the extent to which their writers understood the 'mixed form' as a means for ethical transformation, a way of making literature not only a forum for defining or representing 'the good, ' but also an instrument that caused readers to feel it, in the deepest, aesthetic sense. Johnson's close attention to literary style, to rhythm (of both verse and prose), and to form in the broadest sense answers to the general thirst in all literary studies for a return to the text. But the book will be most eye-opening to those who care about the English Middle Ages and its most commonly read texts, as it uses the closest of readings to work back to a wholly new understanding of what the writers of these texts thought literature was for. --Christopher Cannon, New York University This lucid and insightful study offers a new way of thinking about the necessary relation of form and ethics in late-medieval writing. In Practicing Literary Theory in the Middle Ages, Eleanor Johnson examines the mixed form--notably the combinations of verse and prose that constitute the prosimetrum--from Martianus Capella and Boethius to Chaucer, Usk, Gower, and Hoccleve. For these authors, experiments in form become an active site for ethical engagement, and for mirroring a narrator's journey in a reader's. Johnson's exciting book will be indispensable for those readers interested in reimagining the uses of formalism in medieval literature and medieval literary studies. --Jessica Brantley, Yale University

A sophisticated, revealing study about the ethical imperative present in Middle English texts that are of a mixed form, specifically those works that are 'prosimetric, ' containing a mixture of prose and verse. . . . Highly recommended. --A. L. Kaufman, Auburn University at Montgomery Choice This rivetingly original work is the book we've all been waiting for. In this relentlessly thematic age, Eleanor Johnson shows us why form still matters, to us and to our comprehension of the literary past, and she does so with bracing intelligence and a fine eye for formal and stylistic detail. Moving from Boethius and his continental legacy into the Middle English tradition, Practicing Literary Theory in the Middle Ages tells a compelling story about the intricate yet transformative effects of prose and poetry as imagined and practiced in a range of works in several languages. Johnson is a kind of literary-critical mechanic, revealing with brilliance and skill how particular formal and rhetorical elements work discretely and together to shape the readerly process--not for its own sake, but for the larger premodern project of personal ethical transformation. The research is first-rate and the arguments original, and the book will have an immediate and lasting effect on the study of medieval literature. --Bruce Holsinger, University of Virginia Practicing Literary Theory in the Middle Ages is as daring as it is original, for it not only shows us just how many Middle English texts share a prosimetric structure, but the extent to which their writers understood the 'mixed form' as a means for ethical transformation, a way of making literature not only a forum for defining or representing 'the good, ' but also an instrument that caused readers to feel it, in the deepest, aesthetic sense. Johnson's close attention to literary style, to rhythm (of both verse and prose), and to form in the broadest sense answers to the general thirst in all literary studies for a return to the text. But the book will be most eye-opening to those who care about the English Middle Ages and its most commonly read texts, as it uses the closest of readings to work back to a wholly new understanding of what the writers of these texts thought literature was for. --Christopher Cannon, New York University This lucid and insightful study offers a new way of thinking about the necessary relation of form and ethics in late-medieval writing. In Practicing Literary Theory in the Middle Ages, Eleanor Johnson examines the mixed form--notably the combinations of verse and prose that constitute the prosimetrum--from Martianus Capella and Boethius to Chaucer, Usk, Gower, and Hoccleve. For these authors, experiments in form become an active site for ethical engagement, and for mirroring a narrator's journey in a reader's. Johnson's exciting book will be indispensable for those readers interested in reimagining the uses of formalism in medieval literature and medieval literary studies. --Jessica Brantley, Yale University

-This rivetingly original work is the book we've all been waiting for. In this relentlessly thematic age, Eleanor Johnson shows us why form still matters, to us and to our comprehension of the literary past, and she does so with bracing intelligence and a fine eye for formal and stylistic detail. Moving from Boethius and his continental legacy into the Middle English tradition, Practicing Literary Theory in the Middle Ages tells a compelling story about the intricate yet transformative effects of prose and poetry as imagined and practiced in a range of works in several languages. Johnson is a kind of literary-critical mechanic, revealing with brilliance and skill how particular formal and rhetorical elements work discretely and together to shape the readerly process--not for its own sake, but for the larger premodern project of personal ethical transformation. The research is first-rate and the arguments original, and the book will have an immediate and lasting effect on the study of medieval literature.---Bruce Holsinger, University of Virginia

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Eleanor Johnson is assistant professor of English and comparative literature at Columbia University.

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