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OverviewThis groundbreaking integrated book and DVD presents an exploration of the major fissures of established knowledge created by a new trans-disciplinary, worldwide project. Through an innovative combination of formats, it aims to embody the principles of performance and screen practice-as-research in its structure and design. Full Product DetailsAuthor: Ludivine Allegue , Simon Jones , Baz Kershaw , Angela PicciniPublisher: Palgrave Macmillan Imprint: Palgrave Macmillan Dimensions: Width: 15.20cm , Height: 2.00cm , Length: 22.90cm Weight: 0.540kg ISBN: 9780230220010ISBN 10: 0230220010 Pages: 269 Publication Date: 11 August 2009 Audience: Adult education , Further / Higher Education Format: Hardback Publisher's Status: Out of Print Availability: In Print  Limited stock is available. It will be ordered for you and shipped pending supplier's limited stock. Table of ContentsHow to use this Publication Acknowledgements Practice-as-Research: An Introduction; B.Kershaw The Courage of Complementarity: Practice-as-Research as a Paradigm Shift in Performance Studies; S.Jones Of Fevered Archives and the Quest for Total Documentation; A.Piccini & C.Rye Making a Difference: Media Practice-as-Research, Creative Economies and Cultural Ecologies; J.Dovey Collaborative Ethics in Practice-as-Research; C.Bannerman & C.McLaughlin Digital Archives: Plus Ca Change, Plus C'est La Meme Chose; B.Smith Peer Review and Criteria: A Discussion; J.Adams, J.Bacon & L.Thynne Modes of Practice-as-Research Knowledge and Their Place in the Academy; R.Nelson Practice-as-Research in France 2008; L.Allegue & M.Costin Transnet a Canadian-Based Case Study on Practice-as-Research, or Rethinking Dance in a Knowledge-Based Society; H.Daniel Performance Research in Australia 1988-2007; A.Richards Images List of Colour Images Catalogue Bibliography Index List of Catalogue Contributors DVDReviews'This represents the first comprehensive attempt to lay down disciplinary and epistemological parameters for the field of Practice as Research. As such it is completely new, groundbreaking and important. More importantly, it is exceptionally well-conceived, carefully organized and thought-through.' - Dr Lynette Hunter, University of California, Davis, USA '...this book promises to be the first major analysis of practice as research. I have no doubt that as such it will be both timely and useful. Practice as research is by now a familiar feature of the landscape of research into performance. Many academics around the world see themselves as engaged in it. But yet hitherto it has remained, I think, somewhat under-theorised, a bit too slippery. We need a full-on analysis in order to take us to the next stage.' - Professor Simon Shepherd, Central School of Speech and Drama, UK 'This represents the first comprehensive attempt to lay down disciplinary and epistemological parameters for the field of Practice as Research. As such it is completely new, groundbreaking and important. More importantly, it is exceptionally well-conceived, carefully organized and thought-through.' - Dr Lynette Hunter, University of California, Davis, USA '...this book promises to be the first major analysis of practice as research. I have no doubt that as such it will be both timely and useful. Practice as research is by now a familiar feature of the landscape of research into performance. Many academics around the world see themselves as engaged in it. But yet hitherto it has remained, I think, somewhat under-theorised, a bit too slippery. We need a full-on analysis in order to take us to the next stage.' - Professor Simon Shepherd, Central School of Speech and Drama, UK Author InformationJOHN ADAMS is Professor of Film and Screen Media Practice at University of Bristol, UK JANE BACON is Reader in Performance Studies at the University of Northampton, UK, and Co-Director of The Choreographic Lab CHRISTOPHER BANNERMAN is Head of ResCen and Professor of Dance at Middlesex University, UK MIEREANU COSTIN is Professor of Philosophy, Aesthetics, and Sciences of Art at the Pantheon-Sorbonne University, France, and Director of the Institut d'Esthetique des Arts et Technologies (IDEAT) HENRY DANIEL is Artistic Director of Full Performing Bodies, an Associate Professor of Dance and Performance Studies at SFU Contemporary Arts in Vancouver, Canada, and lead researcher for Transnet (Transdisciplinary Network for Performance and Technology) JONATHAN DOVEY is Professor of Screen Media in the School of Creative Arts, University of the West of England, UK CAHAL McLAUGHLIN is Senior Lecturer in Media Studies at the University of Ulster, UK ROBIN NELSON is Professor of Theatre and TV Drama at Manchester Metropolitan University, UK ALISON RICHARDS is an Honorary Fellow in Creative Arts in the School of Culture and Communication at the University of Melbourne, Australia CAROLINE RYE was a postdoctoral Research Associate on the PARIP project and currently designs and builds sustainable buildings LIZZIE THYNNE is Senior Lecturer in the Department of Media and Film at the University of Sussex, UK DVD contributors: John Adams, Beatrice Allegranti, Ludivine Allegue, Annette Arlander, Tom Armstrong, Jane Bacon, Anna Birch, Johannes Birringer, Yvon Bonenfant, Ali Maclaurin, Thea Brejzek, Carol Brown, Valerie A. Briginshaw, Pete Brooks, Sebastian Calderon-Bentin, David Chapman, Emilyn Claid, Paul Clarke, Elena Cologni, Laura Cull, Henry Daniel, Tony Dowmunt, David Furnham, Sara Giddens, Cathy Greenhalgh, Thom Hecht, Jennifer Jackson, Simon Jones, Baz Kershaw, Cathy Lane, David Leddy, Neil Mackenzie, Sally Mackey, Joslin McKinney, Cahal McLaughlin, Vida Midgelow, Lee Miller, Roberta Mock, Adrian Palka, Kjell Petersen, Andrew Quick, Paul Rae, Michaela Reiser, Christine Roberts, David Roesner, Sarah Rubidge, Peter Snow, Yuji Sone, Nigel Stewart, Lizzie Thynne, Liz Tomlin, Ruth Way, Joanne 'Bob' Whalley, Patrick Wood, Fiona Wright Tab Content 6Author Website:Countries AvailableAll regions |
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