Poverty in Modern Chinese Realism: From Russia, with Squalor

Author:   Keru Cai (Lecturer in Chinese Studies, School of Modern Languages, Lecturer in Chinese Studies, School of Modern Languages, University of St Andrews)
Publisher:   Oxford University Press
ISBN:  

9780198947059


Pages:   272
Publication Date:   29 May 2025
Format:   Hardback
Availability:   To order   Availability explained
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Poverty in Modern Chinese Realism: From Russia, with Squalor


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Overview

Poverty in Modern Chinese Realism shows that early twentieth century Chinese writers drew upon Russian texts about the socially downtrodden to describe poverty, in a bid to enrich Chinese culture by creating a syncretic new realism. Modern Chinese realist writers turned to the topic of material povertyDLpeasants suffering from famine, exploited urban laborers, homeless orphansDLto convey their sense of textual poverty and national backwardness. The combination of a radically new subject matter and experimentation with diverse literary resources, indigenous and foreign, generated major innovations in narrative technique. Depicting poverty allowed writers to revolutionize the nascent forms of modern Chinese narrative, innovating strategies of representing the nation, the social other, time, and space, while problematizing their deployment of squalor for aesthetic purposes. This book examines why Russian literature, itself long preoccupied with a problem of belatedness vis-à-vis Western Europe, occupied a privileged place for Chinese intellectuals of this era. Comparing Chinese fiction about poverty to Russian intertexts by Gogol, Andreev, Chekhov, Turgenev, and others, the book shows how Chinese writers drew and innovated upon themes (such as madness or human animality) and formal elements (such as metonymy). Keru Cai's multi-scalar approach emphasizing close textual analysis situates modern Chinese realism in the trans-Eurasian axis of world literature.

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Author:   Keru Cai (Lecturer in Chinese Studies, School of Modern Languages, Lecturer in Chinese Studies, School of Modern Languages, University of St Andrews)
Publisher:   Oxford University Press
Imprint:   Oxford University Press
Dimensions:   Width: 16.50cm , Height: 2.20cm , Length: 24.00cm
Weight:   0.552kg
ISBN:  

9780198947059


ISBN 10:   0198947054
Pages:   272
Publication Date:   29 May 2025
Audience:   Professional and scholarly ,  Professional & Vocational
Format:   Hardback
Publisher's Status:   Active
Availability:   To order   Availability explained
Stock availability from the supplier is unknown. We will order it for you and ship this item to you once it is received by us.

Table of Contents

1: Introduction: Russia in the Making of a Modern Chinese Realism 2: Textual Poverty and National Backwardness 3: Manual Labor and Manuscript 4: Hard Times 5: Spatial Metonymy: Poverty in Country and City 6: Conclusion

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Author Information

Keru Cai is Lecturer in Chinese Studies at the School of Languages, University of St Andrews. Her research focuses on modern Chinese appropriations from Russian, English, and French literatures. She has published widely on Chinese and comparative literature, in journals such as Modern Language Quarterly, Comparative Literature, Modern Chinese Literature and Culture, Prism: Theory and Modern Chinese Literature, Concentric: Literary and Cultural Studies, and Chinese Literature: Essays, Articles, and Reviews. Prior to joining the University of St Andrews, she taught at Penn State University and held a Fellowship by Examination at Magdalen College, University of Oxford.

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