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OverviewPoverty in Modern Chinese Realism shows that early twentieth century Chinese writers drew upon Russian texts about the socially downtrodden to describe poverty, in a bid to enrich Chinese culture by creating a syncretic new realism. Modern Chinese realist writers turned to the topic of material povertyDLpeasants suffering from famine, exploited urban laborers, homeless orphansDLto convey their sense of textual poverty and national backwardness. The combination of a radically new subject matter and experimentation with diverse literary resources, indigenous and foreign, generated major innovations in narrative technique. Depicting poverty allowed writers to revolutionize the nascent forms of modern Chinese narrative, innovating strategies of representing the nation, the social other, time, and space, while problematizing their deployment of squalor for aesthetic purposes. This book examines why Russian literature, itself long preoccupied with a problem of belatedness vis-à-vis Western Europe, occupied a privileged place for Chinese intellectuals of this era. Comparing Chinese fiction about poverty to Russian intertexts by Gogol, Andreev, Chekhov, Turgenev, and others, the book shows how Chinese writers drew and innovated upon themes (such as madness or human animality) and formal elements (such as metonymy). Keru Cai's multi-scalar approach emphasizing close textual analysis situates modern Chinese realism in the trans-Eurasian axis of world literature. Full Product DetailsAuthor: Keru Cai (Lecturer in Chinese Studies, School of Modern Languages, Lecturer in Chinese Studies, School of Modern Languages, University of St Andrews)Publisher: Oxford University Press Imprint: Oxford University Press Dimensions: Width: 16.50cm , Height: 2.20cm , Length: 24.00cm Weight: 0.552kg ISBN: 9780198947059ISBN 10: 0198947054 Pages: 272 Publication Date: 29 May 2025 Audience: Professional and scholarly , Professional & Vocational Format: Hardback Publisher's Status: Active Availability: To order ![]() Stock availability from the supplier is unknown. We will order it for you and ship this item to you once it is received by us. Table of Contents1: Introduction: Russia in the Making of a Modern Chinese Realism 2: Textual Poverty and National Backwardness 3: Manual Labor and Manuscript 4: Hard Times 5: Spatial Metonymy: Poverty in Country and City 6: ConclusionReviewsAuthor InformationKeru Cai is Lecturer in Chinese Studies at the School of Languages, University of St Andrews. Her research focuses on modern Chinese appropriations from Russian, English, and French literatures. She has published widely on Chinese and comparative literature, in journals such as Modern Language Quarterly, Comparative Literature, Modern Chinese Literature and Culture, Prism: Theory and Modern Chinese Literature, Concentric: Literary and Cultural Studies, and Chinese Literature: Essays, Articles, and Reviews. Prior to joining the University of St Andrews, she taught at Penn State University and held a Fellowship by Examination at Magdalen College, University of Oxford. Tab Content 6Author Website:Countries AvailableAll regions |