Posthumous America: Literary Reinventions of America at the End of the Eighteenth Century

Author:   Benjamin Hoffmann (The Ohio State University) ,  Alan J. Singerman (Davidson College)
Publisher:   Pennsylvania State University Press
ISBN:  

9780271080079


Pages:   256
Publication Date:   15 May 2018
Format:   Hardback
Availability:   To order   Availability explained
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Posthumous America: Literary Reinventions of America at the End of the Eighteenth Century


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Full Product Details

Author:   Benjamin Hoffmann (The Ohio State University) ,  Alan J. Singerman (Davidson College)
Publisher:   Pennsylvania State University Press
Imprint:   Pennsylvania State University Press
Dimensions:   Width: 15.20cm , Height: 22.90cm , Length: 22.90cm
Weight:   0.476kg
ISBN:  

9780271080079


ISBN 10:   0271080078
Pages:   256
Publication Date:   15 May 2018
Audience:   Professional and scholarly ,  Professional & Vocational
Format:   Hardback
Publisher's Status:   Active
Availability:   To order   Availability explained
Stock availability from the supplier is unknown. We will order it for you and ship this item to you once it is received by us.

Table of Contents

Contents Acknowledgments Introduction: New World Paradoxes 1. Saint-John de Crèvecoeur and Nostalgia for Colonial America 2. Lezay-Marnésia and Nostalgia for the American Golden Age 3. Chateaubriand and Nostalgia for French America Conclusion: America, a Mobile Sign Appendix Notes Bibliography Index

Reviews

Benjamin Hoffman presents, with wonderful insight, a portrait of a young American nation by three French writers. The particular oddity of their perspective, hence the delightful originality of this work, is that what they depict in their various ways is a society and polity that they know to be no longer valid-for which Hoffman coins the term of `posthumous' narrative, sometimes tainted with nostalgia or outright fiction, in an already-archaic American landscape. -Philip Stewart, author of Engraven Desire: Eros, Image, and Text in the French Eighteenth Century


Benjamin Hoffman presents, with wonderful insight, a portrait of a young American nation by three French writers. The particular oddity of their perspective, hence the delightful originality of this work, is that what they depict in their various ways is a society and polity that they know to be no longer valid--for which Hoffman coins the term of 'posthumous' narrative, sometimes tainted with nostalgia or outright fiction, in an already-archaic American landscape. --Philip Stewart, author of Engraven Desire: Eros, Image, and Text in the French Eighteenth Century


Benjamin Hoffman presents, with wonderful insight, a portrait of a young American nation by three French writers. The particular oddity of their perspective, hence the delightful originality of this work, is that what they depict in their various ways is a society and polity that they know to be no longer valid--for which Hoffman coins the term of 'posthumous' narrative, sometimes tainted with nostalgia or outright fiction, in an already-archaic American landscape. --Philip Stewart, author of Engraven Desire: Eros, Image, and Text in the French Eighteenth Century


Author Information

Benjamin Hoffmann is Assistant Professor of Early Modern French Studies at The Ohio State University. His recent publications include a critical edition of Claude-François de Lezay-Marnésia’s Letters Written from the Banks of the Ohio, also published by Penn State University Press, as well as four novels in French. About the translator: Alan J. Singerman is Richardson Professor Emeritus of French at Davidson College, the translator of Benjamin Hoffmann’s critical edition of Letters Written from the Banks of the Ohio, and the editor and translator of Abbé Prévost’s novel The Greek Girl’s Story, both also published by Penn State University Press.

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