Overview

This issue examines how dance is transformed by cross-pollinations and how artistic practice incorporates transnational perspectives. Drawing on the work of the World Performance Project at Yale and its 2008 Festival of International Dance, contributors explore the hybrid expressions being created by a new generation of artists.

Full Product Details

Author:   Joseph Roach ,  Emily Coates
Publisher:   Duke University Press
Imprint:   Duke University Press
Dimensions:   Width: 18.70cm , Height: 0.70cm , Length: 25.00cm
Weight:   0.268kg
ISBN:  

9780822367369

ISBN 10:   082236736
Pages:   113
Publication Date:   10 March 2010
Audience:   Professional and scholarly ,  Professional & Vocational
Format:   Paperback
Publisher's Status:   Active
Availability:   In Print  
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Table of Contents

Joseph Roach, Miriam Felton-Dansky, Jacob Gallagher-Ross, Tom Sellar, Joanne Pottlitzer, Up Front; Emily Coates, Theorizing in Motion: Points of Contact in International Dance at Yale; Susan Leigh Foster, Dancing Bodies: An Addendum, 2009; Thomas F. DeFrantz, Performing the Breaks: Notes on African American Aesthetic Structures; Yasmeen Godder, Opiyo Okach, and Yvonne Rainer, Moderated by Thomas F. DeFrantz, Movement in the Age of Globalization: A Panel; Yvonne Rainer, Where's the Passion? Where's the Politics? Or, How I Became Interested in Impersonating, Approximating, and End Running around My Selves and Others', and Where Do I Look When You're Looking at Me?; Yasmeen Godder, Artist's Journal: Singular Sensations and Selves; Opiyo Okach, Artist's Journal: Questions of Necessity: Notes on Border Border Express; Emily Coates and David Barreda, Portfolio: Reggie Wilson and Andreya Ouamba in Rehearsal; Adam S. Horowitz, Global Voices: Performers in Conversation

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