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A densely theoretical yet politicised and interdisciplinary book that signals an important new trajectory in postcolonial and cultural studies, towards interrogation of the plight of those looking for sanctuary in Europe, Australia and elsewhere. It is at its best in discussing asylum statistics and contexts, and analysing art, photography and literature. Recommended reading, especially for policymakers and tabloid journalists. -- Claire Chambers Times Higher Education 20110414 As the first scholarly monograph to examine asylum in relation to postcolonial studies, David Farrier's Postcolonial Asylum makes a theoretically rich contribution to the field. The book is part of a series called 'Postcolonialism Across the Disciplines' and Farrier's study is impressively multi-disciplinary. It combines literary analysis with theoretical discussions drawn from ethics, philosophy, critical legal studies and political theory to mount a persuasive yet constructive challenge to postcolonial theory by leading thinkers such as Homi Bhabha, Gayatri Spivak, and Achille Mbembe. In a sub-section of the Introduction called 'A Scandal for Postcolonial Studies', Farrier makes his own contribution to wider critiques of postcolonial theory's tendency to present migration as a condition of empowerment. His focus on the specificities of the asylum seeker's condition poses a serious challenge to what he calls 'the dominant postcolonial emphasis on migrancy's creative potential to unsettle fixed notions of boundaries and belonging'. Noting that postcolonial studies has tended to privilege textuality over the material experiences of those who seek asylum, Farrier urges postcolonial theory to 'engage with the world' by focusing on the hierarchized nature of mobility. By adopting this approach, he is able to test how far postcolonial conceptions of migrancy are able to accommodate the figure of the asylum seeker. Ultimately, Farrier frames the encounter between postcolonial studies and the issue of asylum in terms of 'inclusive-exclusive' relationships whereby 'certain lives are constituted as more or less grievable'. In an endlessly constructive vein, however, the figure of the asylum seeker is presented by Farrier as a potential means of reconfiguring theory by gesturing to new yet disturbingly circumscribed states of political belonging. Throughout the study, Farrier argues for close attention to be paid to the distinguishing characteristics of asylum. To seek asylum, he suggests, is to be inducted into 'a condition of waiting, uncertainty and dependency that frustrates any chance for self-creation'. In the ensuing chapters, he seeks a new ethics of reading and responding to the asylum seeker's predicament. Chapter One begins with the contention that postcolonial theory has fetishized metaphors of in-betweenness. Farrier turns to J.M. Coetzee's novel, Waiting for the Barbarians (1980), as a means of attending to the global hierarchies of mobility and of examining the asylum seeker as 'a trope of the infrahuman'. Chapter Two offers innovative readings of Melanie Friend's photographs of UK Immigration Removal Centres as politicized spaces of interruption and protest, while Chapter Three considers the significance of the ban, a term that originates in the work of Jean-Luc Nancy whereby 'the subject of the ban is held within the purview of law's censure but excluded from its protection'. The ban is central to Farrier's understanding of the asylum seeker's place before the law. Through close reference to Kate Adshead's play The Bogus Woman (2009), Stephen Frears' film Dirty PrettyThings (2002), and Leila Aboulela's novel Minaret (2005) and the walking practices of Misha Meyers' 'Way from Home', Farrier examines the extent to which the asylum seeker is able to resist the ban 'by forms of iterative self-staging'. Chapter Four further examines the potential of asylum seekers' narratives to disrupt 'the presuppositional basis of the law' entailed by the ban. And the final chapter presents a challenge to the 'totalizing' ethical philosophy of Emmanuel Levinas by exploring the productions of Australian 'verbatim theatre', which mixes asylum testimonies with performance. Farrier's examination of the theoretical challenges posed by asylum is innovative, imaginative, and compelling. As the summary above indicates, a highlight of the monograph is the scope and range of its textual and visual sources: Farrier draws upon photography, performance art, and film alongside the novel to examine the ethical and theoretical implications of contemporary 'asylum destitution'. By means of lateral yet productive contrapuntal readings, his complex and erudite study deals substantially, sometimes provocatively, with an impressive array of legal and ethical issues. A striking example of this approach is his elaborate reading in Chapter Four of Herman Melville's short story, 'Bartleby, the Scriviner (1853), which is considered alongside recent narratives by asylum seekers. As Farrier points out, 'Bartleby' is 'neither a postcolonial text nor a narrative of asylum', yet Melville's story of a clerk's resistance has attracted the attention of scholars from Hardt and Negri to Gilles Deleuze and Hillis Miller. His imaginative and highly theorized readings of these diverse sources enable the fullest possible consideration of the ethical questions raised by Melville's short story in relation to the asylum seeker's predicament. Among its other achievements, the Chapter paves the way for the study's exploration of reading practices that promote an 'ethical experience of responsibility'. (Con)figuring Sport - Moving worlds 12.1 201211 As the first scholarly monograph to examine asylum in relation to postcolonial studies, David Farrier's Postcolonial Asylum makes a theoretically rich contribution to the field. (Con)figuring Sport - Moving worlds 12.1 201211

A densely theoretical yet politicised and interdisciplinary book that signals an important new trajectory in postcolonial and cultural studies, towards interrogation of the plight of those looking for sanctuary in Europe, Australia and elsewhere. It is at its best in discussing asylum statistics and contexts, and analysing art, photography and literature. Recommended reading, especially for policymakers and tabloid journalists -- Claire Chambers Times Higher Education 20110414

Author Information

David Farrier is Lecturer in Modern and Contemporary English Literature at the University of Edinburgh. Unsettled Narratives: the Pacific writings of Stevenson, Ellis, Melville and London. Routledge, 2007. 'Terms of hospitality: Adbulrazak Gurnah's By the Sea', Journal of Commonwealth Literature 43.3 (2008) '""The other is the neighbour"": the limits of dignity in Caryl Philips's A Distant Shore', Journal of Postcolonial Writing 44.4 (2008) '""The journey is the film is the journey"": Michael Winterbottom's In This World', Research in Drama Education 13.2 (2008) 'Unwritable dwellings/unsettled texts: Robert Louis Stevenson's In the South Seas and the Vailima House', International Journal of Scottish Literature 1 (2006) 'Gesturing towards the local: intimate histories in Anil's Ghost', Journal of Postcolonial Writing, 41.1 (2005) 'Charting the ""Amnesiac Atlantic"": chiastic cartography and Caribbean epic in Derek Walcott's Omeros', Journal of Commonwealth Literature, 38 (2003)

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