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9781479860432

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Agraphic journey of discovery that reveals . . . many troubling questions: Do Holocaust tourists come as casual sightseers or as pilgrims? Where is evidence, in those dedicated places, of redemption? Soon there will be no survivors of the Holocaust; what will the places, monuments, and museums tell future generations? * Kirkus Reviews * Incisively scrutinizes the intersection of tourism and Holocaust remembrance . . . raises important questions about history, tourism, and genocide. * STARRED Publishers Weekly * This should be required reading for anyone contemplating a trip to places of remembrance, such as the United States Holocaust Memorial Museum or the Auschwitz and Dachau death camps in Europe. Reynolds effectively tells how history and tourism intersect. * Library Journal * Postcards from Auschwitz is an important intervention into the vexed topic of Holocaust 'tourism.' Reynolds deftly challenges the various criticisms of the 'Shoah business'its presumed commercialization of suffering, conversion of horror into kitsch, and its putative role in evacuating Holocaust memory of substance. He addresses such received wisdom not by denying its power, but by way of a compelling exploration of the experience of Holocaust memorialization in Warsaw, Berlin, Jerusalem, and Washington, D.C that does not only analyze various national narratives of the event, but also defines the tourist's experience in surprisingly textured and nuanced terms. The book is a real eye-opener and should be read by anyone with an interest in contemporary Holocaust memory. -- Carolyn J. Dean,Charles J. Stille Professor of History and French, Yale University Reynolds lays bare the faulty assumptions about tourism and tourists that undergird the criticisms leveled at sites of Holocaust commemoration. His own scholarship, by contrast, takes seriously the abilities of tourists to reflect just as critically as any of the scholars who write about the topic, and shows how their presence (including their own discomfort with the idea of tourism) helps Holocaust tourism remain an open-ended process of meaning-making. This is tourism studies at its finest. Reynolds' authorial voice is pitch perfect - sophisticated without being pedantic, readable without being simplistic. -- Shaul Kelner,author of Tours That Bind: Diaspora, Pilgrimage and Israeli Birthright Tourism Postcards stand for the superficiality of tourism, but also have a flip side in which the viewer can express agency, sometimes undercutting the message of the glossy picture. Reynolds is one of the few scholars to take both Holocaust memory and tourism seriously. Among the questions the book explores are: How does one portray the victims suffering without turning it into a spectacle? How do memorial sites negotiate between historical verities and traumatic experience? What agency do tourist publics have in reading and interpreting Holocaust sites and what are the responsibilities of site managers in responding to them? Where does one draw the line between knowledge-seeking and voyeurism? The result is a thought-provoking, multi-disciplinary account of the ethics of memory and responsibility in an age of snapshots and selfie shares. -- Jackie Feldman,author of Above the Death-Pits, beneath the Flag Reynolds' theoretically informed selection of cases allows for both breadth and depth in analyzing the promises and pitfalls of Holocaust tourism. Postcards from Auschwitz does not lay to rest ethical questions, but rather raises new ones for future scholarship. This book will appeal to scholars within the interdisciplinary realms of tourism studies, museum studies, public history, and Holocaust studies, as well as the staples of history, anthropology, philosophy, and literary studies. Reynolds' courage in broaching a controversial and understudied subject will no doubt inspire continued scholarship on Holocaust tourism's complexity and transformative potential. * The Polish Review *

Postcards stand for the superficiality of tourism, but also have a flip side in which the viewer can express agency, sometimes undercutting the message of the glossy picture. Reynolds is one of the few scholars to take both Holocaust memory and tourism seriously. Among the questions the book explores are: How does one portray the victims' suffering without turning it into a spectacle? How do memorial sites negotiate between historical verities and traumatic experience? What agency do tourist publics have in reading and interpreting Holocaust sites and what are the responsibilities of site managers in responding to them? Where does one draw the line between knowledge-seeking and voyeurism? The result is a thought-provoking, multi-disciplinary account of the ethics of memory and responsibility in an age of snapshots and selfie shares. -Jackie Feldman,author of Above the Death-Pits, beneath the Flag Reynolds lays bare the faulty assumptions about tourism and tourists that undergird the criticisms leveled at sites of Holocaust commemoration. His own scholarship, by contrast, takes seriously the abilities of tourists to reflect just as critically as any of the scholars who write about the topic, and shows how their presence (including their own discomfort with the idea of tourism) helps Holocaust tourism remain an open-ended process of meaning-making. This is tourism studies at its finest. Reynolds' authorial voice is pitch perfect - sophisticated without being pedantic, readable without being simplistic. -Shaul Kelner,author of Tours That Bind: Diaspora, Pilgrimage and Israeli Birthright Tourism Incisively scrutinizes the intersection of tourism and Holocaust remembrance . . . raises important questions about history, tourism, and genocide. -STARRED Publishers Weekly Postcards from Auschwitz is an important intervention into the vexed topic of Holocaust 'tourism.' Reynolds deftly challenges the various criticisms of the 'Shoah business'-its presumed commercialization of suffering, conversion of horror into kitsch, and its putative role in evacuating Holocaust memory of substance. He addresses such received wisdom not by denying its power, but by way of a compelling exploration of the experience of Holocaust memorialization in Warsaw, Berlin, Jerusalem, and Washington, D.C that does not only analyze various national narratives of the event, but also defines the tourist's experience in surprisingly textured and nuanced terms. The book is a real eye-opener and should be read by anyone with an interest in contemporary Holocaust memory. -Carolyn J. Dean,Charles J. Stille Professor of History and French, Yale University A graphic journey of discovery that reveals . . . many troubling questions: Do Holocaust tourists come as casual sightseers or as pilgrims? Where is evidence, in those dedicated places, of redemption? Soon there will be no survivors of the Holocaust; what will the places, monuments, and museums tell future generations? -Kirkus Reviews

Reynolds lays bare the faulty assumptions about tourism and tourists that undergird the criticisms leveled at sites of Holocaust commemoration. His own scholarship, by contrast, takes seriously the abilities of tourists to reflect just as critically as any of the scholars who write about the topic, and shows how their presence (including their own discomfort with the idea of tourism) helps Holocaust tourism remain an open-ended process of meaning-making. This is tourism studies at its finest. Reynolds'authorial voice is pitch perfect - sophisticated without being pedantic, readable without being simplistic. -Shaul Kelner,author of Tours That Bind: Diaspora, Pilgrimage and Israeli Birthright Tourism Postcards stand for the superficiality of tourism, but also have a flip side in which the viewer can express agency, sometimes undercutting the message of the glossy picture. Reynolds is one of the few scholars to take both Holocaust memory and tourism seriously. Among the questions the book explores are: How does one portray the victims' suffering without turning it into a spectacle? How do memorial sites negotiate between historical verities and traumatic experience? What agency do tourist publics have in reading and interpreting Holocaust sites and what are the responsibilities of site managers in responding to them? Where does one draw the line between knowledge-seeking and voyeurism? The result is a thought-provoking, multi-disciplinary account of the ethics of memory and responsibility in an age of snapshots and selfie shares. -Jackie Feldman,author of Above the Death-Pits, beneath the Flag Postcards from Auschwitz is an important intervention into the vexed topic of Holocaust 'tourism.' Reynolds deftly challenges the various criticisms of the 'Shoah business'-its presumed commercialization of suffering, conversion of horror into kitsch, and its putative role in evacuating Holocaust memory of substance. He addresses such received wisdom not by denying its power, but by way of a compelling exploration of the experience of Holocaust memorialization in Warsaw, Berlin, Jerusalem, and Washington, D.C that does not only analyze various national narratives of the event, but also defines the tourist's experience in surprisingly textured and nuanced terms. The book is a real eye-opener and should be read by anyone with an interest in contemporary Holocaust memory. -Carolyn J. Dean,Charles J. Stille Professor of History and French, Yale University

Reynolds lays bare the faulty assumptions about tourism and tourists that undergird the criticisms leveled at sites of Holocaust commemoration. His own scholarship, by contrast, takes seriously the abilities of tourists to reflect just as critically as any of the scholars who write about the topic, and shows how their presence (including their own discomfort with the idea of tourism) helps Holocaust tourism remain an open-ended process of meaning-making. This is tourism studies at its finest. Reynolds'authorial voice is pitch perfect - sophisticated without being pedantic, readable without being simplistic. -Shaul Kelner,author of Tours That Bind: Diaspora, Pilgrimage and Israeli Birthright Tourism Postcards stand for the superficiality of tourism, but also have a flip side in which the viewer can express agency, sometimes undercutting the message of the glossy picture. Reynolds is one of the few scholars to take both Holocaust memory and tourism seriously. Among the questions the book explores are: How does one portray the victims' suffering without turning it into a spectacle? How do memorial sites negotiate between historical verities and traumatic experience? What agency do tourist publics have in reading and interpreting Holocaust sites and what are the responsibilities of site managers in responding to them? Where does one draw the line between knowledge-seeking and voyeurism? The result is a thought-provoking, multi-disciplinary account of the ethics of memory and responsibility in an age of snapshots and selfie shares. -Jackie Feldman,author of Above the Death-Pits, beneath the Flag Incisively scrutinizes the intersection of tourism and Holocaust remembrance . . . raises important questions about history, tourism, and genocide. -STARRED Publishers Weekly A graphic journey of discovery that reveals...many troubling questions: Do Holocaust tourists come as casual sightseers or as pilgrims? Where is evidence, in those dedicated places, of redemption? Soon there will be no survivors of the Holocaust; what will the places, monuments, and museums tell future generations? -Kirkus Reviews Postcards from Auschwitz is an important intervention into the vexed topic of Holocaust 'tourism.' Reynolds deftly challenges the various criticisms of the 'Shoah business'-its presumed commercialization of suffering, conversion of horror into kitsch, and its putative role in evacuating Holocaust memory of substance. He addresses such received wisdom not by denying its power, but by way of a compelling exploration of the experience of Holocaust memorialization in Warsaw, Berlin, Jerusalem, and Washington, D.C that does not only analyze various national narratives of the event, but also defines the tourist's experience in surprisingly textured and nuanced terms. The book is a real eye-opener and should be read by anyone with an interest in contemporary Holocaust memory. -Carolyn J. Dean,Charles J. Stille Professor of History and French, Yale University

Reynolds lays bare the faulty assumptions about tourism and tourists that undergird the criticisms leveled at sites of Holocaust commemoration. His own scholarship, by contrast, takes seriously the abilities of tourists to reflect just as critically as any of the scholars who write about the topic, and shows how their presence (including their own discomfort with the idea of tourism) helps Holocaust tourism remain an open-ended process of meaning-making. This is tourism studies at its finest. Reynolds' authorial voice is pitch perfect - sophisticated without being pedantic, readable without being simplistic. -- Shaul Kelner,author of Tours That Bind: Diaspora, Pilgrimage and Israeli Birthright Tourism Postcards stand for the superficiality of tourism, but also have a flip side in which the viewer can express agency, sometimes undercutting the message of the glossy picture. Reynolds is one of the few scholars to take both Holocaust memory and tourism seriously. Among the questions the book explores are: How does one portray the victims suffering without turning it into a spectacle? How do memorial sites negotiate between historical verities and traumatic experience? What agency do tourist publics have in reading and interpreting Holocaust sites and what are the responsibilities of site managers in responding to them? Where does one draw the line between knowledge-seeking and voyeurism? The result is a thought-provoking, multi-disciplinary account of the ethics of memory and responsibility in an age of snapshots and selfie shares. -- Jackie Feldman,author of Above the Death-Pits, beneath the Flag Postcards from Auschwitz is an important intervention into the vexed topic of Holocaust 'tourism.' Reynolds deftly challenges the various criticisms of the 'Shoah business'its presumed commercialization of suffering, conversion of horror into kitsch, and its putative role in evacuating Holocaust memory of substance. He addresses such received wisdom not by denying its power, but by way of a compelling exploration of the experience of Holocaust memorialization in Warsaw, Berlin, Jerusalem, and Washington, D.C that does not only analyze various national narratives of the event, but also defines the tourist's experience in surprisingly textured and nuanced terms. The book is a real eye-opener and should be read by anyone with an interest in contemporary Holocaust memory. -- Carolyn J. Dean,Charles J. Stille Professor of History and French, Yale University Incisively scrutinizes the intersection of tourism and Holocaust remembrance . . . raises important questions about history, tourism, and genocide. * STARRED Publishers Weekly * Agraphic journey of discovery that reveals . . . many troubling questions: Do Holocaust tourists come as casual sightseers or as pilgrims? Where is evidence, in those dedicated places, of redemption? Soon there will be no survivors of the Holocaust; what will the places, monuments, and museums tell future generations? * Kirkus Reviews * This should be required reading for anyone contemplating a trip to places of remembrance, such as the United States Holocaust Memorial Museum or the Auschwitz and Dachau death camps in Europe. Reynolds effectively tells how history and tourism intersect. * Library Journal *

Postcards from Auschwitz is an important intervention into the vexed topic of Holocaust 'tourism.' Reynolds deftly challenges the various criticisms of the 'Shoah business'-its presumed commercialization of suffering, conversion of horror into kitsch, and its putative role in evacuating Holocaust memory of substance. He addresses such received wisdom not by denying its power, but by way of a compelling exploration of the experience of Holocaust memorialization in Warsaw, Berlin, Jerusalem, and Washington, D.C that does not only analyze various national narratives of the event, but also defines the tourist's experience in surprisingly textured and nuanced terms. The book is a real eye-opener and should be read by anyone with an interest in contemporary Holocaust memory. -Carolyn J. Dean,Charles J. Stille Professor of History and French, Yale University

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Daniel P. Reynolds is Seth Richards Professor in Modern Languages in the German Department at Grinnell College, Iowa.

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