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OverviewDuring the post-World War II period, the Western, like America's other great film genres, appeared to collapse as a result of revisionism and the emergence of new forms. Perhaps, however, as theorists like Gilles Deleuze suggest, it remains, simply ""maintaining its empty frame."" Yet this frame is far from empty, as Post-Westerns shows us: rather than collapse, the Western instead found a new form through which to scrutinize and question the very assumptions on which the genre was based. Employing the ideas of critics such as Deleuze, Jacques Derrida, and Jacques Ranciere, Neil Campbell examines the haunted inheritance of the Western in contemporary U.S. culture. His book reveals how close examination of certain postwar films-including Bad Day at Black Rock, The Misfits, Lone Star, Easy Rider, Gas Food Lodging, Down in the Valley, and No Country for Old Men-reconfigures our notions of region and nation, the Western, and indeed the West itself. Campbell suggests that post-Westerns are in fact ""ghost-Westerns,"" haunted by the earlier form's devices and styles in ways that at once acknowledge and call into question the West, both as such and in its persistent ideological framing of the national identity and values. Full Product DetailsAuthor: Neil CampbellPublisher: University of Nebraska Press Imprint: University of Nebraska Press Dimensions: Width: 15.20cm , Height: 3.30cm , Length: 22.90cm Weight: 0.771kg ISBN: 9780803234765ISBN 10: 0803234767 Pages: 432 Publication Date: 01 October 2013 Audience: College/higher education , Postgraduate, Research & Scholarly Format: Hardback Publisher's Status: Active Availability: To order Stock availability from the supplier is unknown. We will order it for you and ship this item to you once it is received by us. Table of ContentsReviewsPost-Westerns is distinguished by its theoretical sophistication, its brilliant close readings of the form and content of a diversity of modern and contemporary films, and its close meditation on the potential politics associated with such films [as they] address the intersection of memory, identity, and history. --Stephen Tatum, author of In the Remington Moment --Stephen Tatum (07/08/2013) Post-Westerns is distinguished by its theoretical sophistication, its brilliant close readings of the form and content of a diversity of modern and contemporary films, and its close meditation on the potential politics associated with such films [as they] address the intersection of memory, identity, and history. --Stephen Tatum, author of In the Remington Moment --Stephen Tatum Stephen Tatum (07/08/2013) Author InformationNeil Campbell is professor of American studies and senior research fellow at the University of Derby, England. He is the author of The Rhizomatic West: Representing the West in the Global, Media Age (Nebraska, 2008) and the editor of, most recently, Photocinema: The Creative Edges of Photography and Film. Tab Content 6Author Website:Countries AvailableAll regions |
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