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OverviewHorror's longstanding reputation as a popular but culturally denigrated genre has been challenged by a new wave of films mixing arthouse minimalism with established genre conventions. Variously dubbed 'elevated horror' and 'post-horror,' films such as The Babadook, It Follows, The Witch, It Comes at Night, Get Out, The Invitation, Hereditary, Midsommar, A Ghost Story, and mother! represent an emerging nexus of taste, politics, and style that has often earned outsized acclaim from critics and populist rejection by wider audiences. Post-Horror is the first full-length study of one of the most important and divisive movements in twenty-first-century horror cinema. Full Product DetailsAuthor: David Church (Department of Communication and Culture, Indiana University)Publisher: Edinburgh University Press Imprint: Edinburgh University Press ISBN: 9781474475891ISBN 10: 1474475892 Pages: 280 Publication Date: 16 January 2023 Audience: Professional and scholarly , Professional & Vocational Format: Paperback Publisher's Status: Active Availability: Manufactured on demand We will order this item for you from a manufactured on demand supplier. Table of ContentsFiguresAcknowledgments 1. Apprehension Engines: Defining a New Wave of Art-Horror Cinema 2. ""Slow,"" ""Smart,"" ""Indie,"" ""Prestige,"" ""Elevated"": Discursive Struggle for Cultural Distinction 3. Grief, Mourning, and the Horrors of Familial Inheritance 4. Horror by Gaslight: Epistemic Violence and Ambivalent Belonging 5. Beautiful, Horrible Desolation: Landscape in Post-Horror Cinema 6. Queer Ethics and the Urban Ruin-Porn Landscape: The Horrors of Monogamy in It Follows 7. Existential Dread and the Trouble with Transcendence Selected BibliographyIndexReviews"""This book is indispensable for both academic researchers and film critics as well as genre fans who strive to understand the finer workings of this new cycle in horror cinema."" -Sandra Aline Wagner, University of Limerick" Author InformationDavid Church is a film and media scholar specializing in genre studies, taste cultures, and histories of film circulation. He is the author of Grindhouse Nostalgia: Memory, Home Video, and Exploitation Film Fandom (EUP, 2015), Disposable Passions: Vintage Pornography and the Material Legacies of Adult Cinema (Bloomsbury, 2016), and Mortal Kombat: Games of Death (University of Michigan Press, 2022). Tab Content 6Author Website:Countries AvailableAll regions |
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