Post-heritage Perspectives on British Period Drama Television

Author:   Will Abbiss
Publisher:   Taylor & Francis Ltd
ISBN:  

9781032170329


Pages:   192
Publication Date:   09 June 2023
Format:   Hardback
Availability:   In Print   Availability explained
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Post-heritage Perspectives on British Period Drama Television


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Full Product Details

Author:   Will Abbiss
Publisher:   Taylor & Francis Ltd
Imprint:   Routledge
Weight:   0.530kg
ISBN:  

9781032170329


ISBN 10:   1032170328
Pages:   192
Publication Date:   09 June 2023
Audience:   College/higher education ,  Tertiary & Higher Education
Format:   Hardback
Publisher's Status:   Active
Availability:   In Print   Availability explained
This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us.

Table of Contents

Introduction: The Post-Heritage Framework 1. Society Dramas of the 2010s 2. Dickens Adaptations Beyond the Bicentenary 3. Matters of Royalty in The Crown 4. Poliakoff and Public Service in the 2010s 5. Conclusion: Post-Heritage Futures

Reviews

‘Offering a welcome, fresh focus on British television period drama since the 2010s, Post-heritage Perspectives on British Period Drama takes a considered approach to several key examples of the genre, situating them sensitively in relation to the contemporary televisual, cultural and socio-political context. With commendable even-handedness, the book reconsiders the critical framework within which period drama is most often appraised, utilising the concept of post-heritage in a nuanced and non-judgemental manner that enables appreciation of each programme on its own terms. The book’s emphasis on diversity and complexity mirrors the breadth of perspectives offered by programmes as varied as Downton Abbey, Upstairs Downstairs, The Crown, Dickensian and recent works by Stephen Poliakoff, amongst others. This book will appeal to scholars of British television, adaptation, period dramas and broadcast TV, as well as to readers who simply enjoy televisual historical fiction of many hues. It is to be hoped that this book’s thoughtful reappraisal and appreciation of the genre will rekindle and inspire wider interest into a form of television which remains popular, innovative and vibrant.’ Dr Sarah Cardwell, University of Kent, United Kingdom.


Author Information

Will Stanford Abbiss received his doctorate from Victoria University of Wellington, New Zealand, in 2021. His research focuses on representations of nationhood in long-form television drama, including the status of public service television in the twenty-first century. His scholarly research has been published in Television & New Media, the Journal of British Cinema and Television, the Journal of Popular Television and Critical Studies in Television, for which he is also an editorial assistant.

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