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OverviewA cinema without cameras, without actors, without screen frames and without narratives almost seems like an antithetical impossibility of what is usually expected from a cinematic spectacle. This book defines an emergent field of post-cinematic theatre and performance, challenging our assumptions and expectations about theatre and film. Full Product DetailsAuthor: P. WoycickiPublisher: Palgrave Macmillan Imprint: Palgrave Macmillan Edition: 1st ed. 2014 Dimensions: Width: 14.00cm , Height: 1.50cm , Length: 21.60cm Weight: 3.552kg ISBN: 9781349477364ISBN 10: 1349477362 Pages: 268 Publication Date: 01 January 2014 Audience: Professional and scholarly , Professional & Vocational Format: Paperback Publisher's Status: Active Availability: Manufactured on demand We will order this item for you from a manufactured on demand supplier. Table of ContentsList of Figures Series Editors' Preface Acknowledgements 1. The Post-Cinematic Landscape 2. Décalage and Mediaphors in Robert Lepage's Elsinore and The Andersen Project 3. Acinematic Montage in Roadmetal Sweetbread and Mare's Nest 4. Guilty pleasures and intermedial archaeologies in Wooster Group's House/Lights and Hamlet 5. The Ethics of Perception in Wunschkonzert 6. Disorienting Landscapes in Hotel Methuselah 7. Pedipulating 'footage' in Duncan Speakman's As if it were the last time 8. Landscapes and Aporias in Lars Von Trier's Dogville 9. Conclusion Bibliography IndexReviews'This book offers an original and exciting contribution to existing scholarship on contemporary intermedial performance. It skilfully defines 'post cinematic theatre' and traces its distinctive features in terms of form, content and address, using some well chosen examples. Piotr Woycicki deals with complex ideas in an accessible way and the eclectic range of theoretical material in this book will help give students and academics alike an excellent critical vocabulary with which to engage with this emerging body of practice.' - Victoria Lowe, University of Manchester, UK It is an illuminating contribution to previous research into the intermedial relation between theatre and film and a thoughtful response to new aesthetics emerging from their interplay. ... It is certainly more geared towards and intellectually rewarding for advanced scholars and expert readers in the areas of theatre and performance studies, film studies and media theory. (Claudia Georgi, Journal of Contemporary Drama in English, Vol. 4 (2), November, 2016) Author InformationPiotr Woycicki is a Lecturer in Theatre and Performance Studies at Aberystwyth University, UK. His previous publications include articles in the Journal of Beckett Studies and the Journal of Performance Research. Tab Content 6Author Website:Countries AvailableAll regions |
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