Positive Negatives: A Motif in Christian Tradition

Author:   Crerar Douglas
Publisher:   Peter Lang Publishing Inc
Volume:   103
ISBN:  

9780820415369


Pages:   213
Publication Date:   01 February 1992
Format:   Hardback
Availability:   Available To Order   Availability explained
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Positive Negatives: A Motif in Christian Tradition


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Overview

Building on the ethical monism of Augustus Hopkins Strong, Positive Negatives develops a new theory of Christianity as a dualistic non-dualism. In depicting the conflict between good and evil as a dualism (in which contraries are antithetical), Christianity draws on the ancient symbols of literary comedy, while, in depicting all other polarities as dualities (in which contraries are complementary), Christianity draws on tragic symbols. As an effort to liberate duality from dualism, Christianity incorporates tragic, non-dual motifs (with similarities to Far Eastern traditions) in its dualistic, Near Eastern narrative of God's comedic triumph over evil. Arguing that its theory gives new insights into the relation between Renaissance poetry and Reformation theology, the book includes a case study of Richard Hooker and Shakespeare's The Winter's Tale, along with discussions, in a comparative-religions context, of Augustine, al-Ghazali, Luther, Karlstadt, Calvin, A.H. Strong, H. Richard Niebuhr, Paul Tillich, Keiji Nishitani, Gadjin Nagao, Northrop Frye, and Thomas F. Torrance.

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Author:   Crerar Douglas
Publisher:   Peter Lang Publishing Inc
Imprint:   Peter Lang Publishing Inc
Volume:   103
Weight:   0.460kg
ISBN:  

9780820415369


ISBN 10:   0820415367
Pages:   213
Publication Date:   01 February 1992
Audience:   Professional and scholarly ,  Professional & Vocational
Format:   Hardback
Publisher's Status:   Active
Availability:   Available To Order   Availability explained
We have confirmation that this item is in stock with the supplier. It will be ordered in for you and dispatched immediately.

Table of Contents

Contents: A New theory of Christianity as a dualistic non-dualism which paradoxically transforms the ancient dialectic of tragedy and comedy. Focusing on the relation between Reformation theology and Renaissance literature, the book includes discussions of the Reformers and Shakespeare in a comparative-religions context.

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Author Information

The Author: Crerar Douglas is Professor of Religious Studies at California State University, Northridge, where he has taught since 1971. He has also taught at Eastern Connecticut State University and has published widely on the history of Christian thought in journals and anthologies. He is editor of The Autobiography of Augustus Hopkins Strong (1981).

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