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9781780230412

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There are few historians of British art who have not been inspired by [Pointon s] nimble imagination, unexpected visual analysis and deep intellectual engagement with her textual and visual sources past and present. Her latest collection of essays on portraiture will not disappoint her admirers. . . . Her accrued wisdom on the topic of portraiture is scattered throughout the book in a number of passages that provide fresh insights and welcome observations. --Shearer West Burlington Magazine

This book breaks new ground in the field of portrait studies. Marcia Pointon re-frames our understanding of the meanings and functions of portraiture, both modern and historical. She deftly encourages the reader to extend the boundaries of traditional art history, engaging with thorny issues of identity, surveillance, gender and cultural politics in her persuasive analysis of 'what do portraits do?' Well-known works by for example, Thomas Lawrence, Jeff Koons and Sam Taylor Wood are explored alongside the less well charted territory of portraits of slavery, adolescence and death. Insights drawn from visual culture, philosophy, anthropology, gender studies and fashion history inform this innovative study, constantly reminding the reader that portraiture is a 'slippery and seductive art.' --Gill Perry, The Open University 'Portraiture is a slippery and seductive art; it encourages us to feel that then is now and now is then.' This statement by Pointon encapsulates the intentions of her fascinating scholarly foray into the nature of this genre, and its functions in societies past and present. . . . A well-illustrated volume that makes a significant contribution to art criticism and theory. Highly recommended. --Choice Marcia Pointon turns her attention to 18th-century teens, slaves and male costume, questioning the relationship between portraiture and power. A final chapter on self-portraiture, with examples from the 19th and 20th centuries, brings this learned yet accessible volume up to the present day. --Art Quarterly Even while deciphering the meanings of language, sign and image, she never loses sight of the actuality of the portrait, whether painted, engraved, sculpted or photographed. It is refreshing to witness a conceptual art historian keeping her eye resolutely on the ball: the portrait as a physical artifact is never taken for granted, and is constantly questioned as to how it was made and how it functioned. --Apollo There are few historians of British art who have not been inspired by [Pointon's] nimble imagination, unexpected visual analysis and deep intellectual engagement with her textual and visual sources past and present. Her latest collection of essays on portraiture will not disappoint her admirers. . . . Her accrued wisdom on the topic of portraiture is scattered throughout the book in a number of passages that provide fresh insights and welcome observations. --Shearer West Burlington Magazine Portrayal and the Search for Identity is a compelling study by one of the foremost scholars writing on portraiture. Marcia Pointon draws upon a remarkable range of historical examples and methodological approaches to produce a book of great originality and sophistication. It addresses important current issues in the field and will be invaluable not only to historians and art historians but to critics, curators and artists. --Peter Funnell, Curator, National Portrait Gallery, London

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Marcia Pointon is an independent scholar and research consultant; she is Professor Emeritus of History of Art at the University of Manchester and Honorary Research Fellow at the Courtauld Institute of Art, London. She is the author of Brilliant Effects: A Cultural History of Gem Stones and Jewellery (2009), Hanging the Head: Portraiture and Social Formation in Eighteenth-century England, Portrayal and the Search for Identity (Reaktion, 2012) and History of Art: A Student's Handbook (5th edn 2014).

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