Portraiture and British Gothic Fiction: The Rise of Picture Identification, 1764–1835

Author:   Kamilla Elliott (Lancaster University)
Publisher:   Johns Hopkins University Press
ISBN:  

9781421407173


Pages:   352
Publication Date:   26 January 2013
Recommended Age:   From 17
Format:   Hardback
Availability:   Out of stock   Availability explained
The supplier is temporarily out of stock of this item. It will be ordered for you on backorder and shipped when it becomes available.

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Portraiture and British Gothic Fiction: The Rise of Picture Identification, 1764–1835


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Overview

Traditionally, kings and rulers were featured on stamps and money; the titled and affluent commissioned busts and portraits; and criminals and missing persons appeared on wanted posters. British writers of the eighteenth and nineteenth centuries, however, reworked ideas about portraiture to promote the value and agendas of the ordinary middle classes. According to Kamilla Elliott, our current practices of ""picture identification"" (driver's licenses, passports, and so on) are rooted in these late eighteenth - and early nineteenth-century debates. ""Portraiture and British Gothic Fiction"" examines ways writers such as Horace Walpole, Ann Radcliffe, Mary Shelley, and C. R. Maturin as well as artists, historians, politicians, and periodical authors dealt with changes in how social identities were understood and valued in British culture - specifically, who was represented by portraits and how they were represented as they vied for social power. Elliott investigates multiple aspects of picture identification: its politics, epistemologies, semiotics, and aesthetics, and the desires and phobias that it produces. Her extensive research not only covers Gothic literature's best-known and most studied texts but also engages with more than 100 Gothic works in total, expanding knowledge of first-wave Gothic fiction as well as opening new windows into familiar work.

Full Product Details

Author:   Kamilla Elliott (Lancaster University)
Publisher:   Johns Hopkins University Press
Imprint:   Johns Hopkins University Press
Dimensions:   Width: 15.20cm , Height: 2.70cm , Length: 22.90cm
Weight:   0.612kg
ISBN:  

9781421407173


ISBN 10:   1421407175
Pages:   352
Publication Date:   26 January 2013
Recommended Age:   From 17
Audience:   Professional and scholarly ,  Professional & Vocational
Format:   Hardback
Publisher's Status:   Active
Availability:   Out of stock   Availability explained
The supplier is temporarily out of stock of this item. It will be ordered for you on backorder and shipped when it becomes available.

Table of Contents

"List of Illustrations Acknowledgments Note to the Reader Introduction 1. Theory and/of Picture Identification 2. The Politics of Picture Identification 3. ""The Age of Portraiture"" and the Portraiture of Politics 4. Matriarchal versus Patriarchal Picture Identification 5. Portraits, Progeny, Iconolatry, and Iconoclasm 6. Identifying Pictures 7. Pictures Identifying 8. Iconism and the Aesthetics of Gothic Fiction 9. Desiring Picture Identification 10. Fearing Picture Identification Conclusion Notes Bibliography Index"

Reviews

Elliott's project is extensive and well thought-out. Her book includes ten chapters, plus a helpful introduction and a forward-looking conclusion. The argument builds gradually and grows in complexity as it goes along... The project as a whole opens up an important conversation. -- Christopher Roovee * Eighteenth Century Fiction *


Elliott's project is extensive and well thought-out. Her book includes ten chapters, plus a helpful introduction and a forward-looking conclusion. The argument builds gradually and grows in complexity as it goes along... The project as a whole opens up an important conversation. -- Christopher Roovee Eighteenth Century Fiction


Author Information

Kamilla Elliott is senior lecturer at Lancaster University and is author of Rethinking the Novel/Film Debate.

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