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OverviewAutomated facial recognition algorithms are increasingly intervening in society. This book offers a unique analysis of these algorithms from a critical visual culture studies perspective. The first part of this study examines the example of an early facial recognition algorithm called ?eigenface? and traces a history of the merging of statistics and vision. The second part addresses contemporary artistic engagements with facial recognition technology in the work of Thomas Ruff, Zach Blas, and Trevor Paglen. This book argues that we must take a closer look at the technology of automated facial recognition and claims that its forms of representation are embedded with visual politics. Even more significantly, this technology is redefining what it means to see and be seen in the contemporary world. Full Product DetailsAuthor: Lila Lee–morrisonPublisher: Transcript Verlag Imprint: Transcript Verlag Dimensions: Width: 14.70cm , Height: 1.50cm , Length: 22.60cm Weight: 0.666kg ISBN: 9783837648461ISBN 10: 383764846 Pages: 198 Publication Date: 20 December 2021 Audience: Professional and scholarly , Professional & Vocational Format: Paperback Publisher's Status: Active Availability: In stock We have confirmation that this item is in stock with the supplier. It will be ordered in for you and dispatched immediately. Table of ContentsReviewsAuthor InformationLila Lee-Morrison, born in 1977, is a PhD student of Art History and Visual Studies at Lund University, Sweden. She has published texts on the political and cultural implications of machine vision, including the use of biometrics and drone warfare. She received a B.A. in Political Science from Hunter College, NY and an M.A. in Visual Culture from Lund University. Tab Content 6Author Website:Countries AvailableAll regions |