Portraits in Early Modern English Drama: Visual Culture, Play-Texts, and Performances

Author:   Emanuel Stelzer
Publisher:   Taylor & Francis Ltd
ISBN:  

9781138348394


Pages:   270
Publication Date:   16 May 2019
Format:   Hardback
Availability:   In Print   Availability explained
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Portraits in Early Modern English Drama: Visual Culture, Play-Texts, and Performances


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Overview

Portraits in Early Modern English Drama studies the complex web of interconnections that grows out of the presentation of portraits as props in early modern English drama. Emanuel Stelzer considers this theory from the Elizabethan age up to the closing of the theatres. This book examines how the dramatic text and the subjectivities of the dramatis personae are shaped and changed through the process of observation and interpretation of pictures in the dramatic actions and dialogues. Unlike any previous study, it confronts when a portrait is clearly meant not to be a miniature. This also has bearings on the effect of the picture on the audience and in terms of genre expectation. Two important questions are interrogated in the book: What were the price and value of these portraits? and What were the strategies deployed by the playing companies to show women’s portraits in a theatre without actresses? This book will be of interest to different areas of research dealing with the history of drama and literature, material and visual culture studies, art history, gender studies, and performance studies.

Full Product Details

Author:   Emanuel Stelzer
Publisher:   Taylor & Francis Ltd
Imprint:   Routledge
Weight:   0.535kg
ISBN:  

9781138348394


ISBN 10:   1138348392
Pages:   270
Publication Date:   16 May 2019
Audience:   General/trade ,  College/higher education ,  Professional and scholarly ,  General ,  Tertiary & Higher Education
Format:   Hardback
Publisher's Status:   Active
Availability:   In Print   Availability explained
This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us.

Table of Contents

"List of figures; Acknowledgements; Introduction; Part I The meanings of staged portraits: theoretical and historical perspectives; Chapter 1. Interpreting portraits: semiotic approaches; Chapter 2. Early modern visualities; Chapter 3. Early modern English portraiture: objects and poetics; Chapter 4. Portraits on stage in early modern England; Part II. Case studies: portraits in action; Chapter 5. ""Closet scenes"": The case of Hamlet’s First Quarto (1603); Chapter 6. Tragic limning in John Webster’s The White Devil (1612); Chapter 7. Philip Massinger’s The Picture (1630): Impregnable women and pregnable pictures; Chapter 8. Shadow vision in William Sampson’s The Vow-Breaker (1636); Chapter 9. The drama of Platonic gazing in Caroline Courtly play-texts: William Cartwright’s The Siege (1651); Conclusion; Appendix; Index"

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Author Information

Emanuel Stelzer is an adjunct lecturer at the University of Bergamo, after earning a PhD there in cotutelle at Justus-Liebig-Universität Gießen and working as a postdoctoral researcher at Università della Valle d’Aosta. His publications have appeared in Critical Survey, Notes and Queries, and Early Theatre.

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