|
|
|||
|
||||
OverviewFull Product DetailsAuthor: Oliver LoveseyPublisher: Taylor & Francis Ltd Imprint: Routledge Weight: 0.390kg ISBN: 9781138600508ISBN 10: 1138600504 Pages: 116 Publication Date: 21 August 2018 Audience: College/higher education , Tertiary & Higher Education , Undergraduate Format: Hardback Publisher's Status: Active Availability: In Print This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us. Table of Contents"Introduction - Decolonizing the Ear: Introduction to ‘Popular Music and the Postcolonial’ 1. Song for a King’s Exile: Royalism and Popular Music in Postcolonial Uganda 2. Popular Songs and Resistance: Ngũgĩ wa Thiong’o’s Maitũ Njugĩra 3. Popular Music and the Young Postcolonial State of Cameroon, 1960–1980 4. Edward Said on Popular Music 5. Occitan Music Revitalization as Radical Cultural Activism: From Postcolonial Regionalism to Altermondialisation 6. Irish Republican Music and (Post)colonial Schizophrenia 7. Rapping Postcoloniality: Akala’s ""The Thieves Banquet"" and Neocolonial Critique 8. Decolonizing Korean Popular Music: The ""Japanese Color"" Dispute over Trot"ReviewsAuthor InformationOliver Lovesey is a Professor of English at the University of British Columbia-Okanagan, Kelowna, Canada. His most recent publications include The Postcolonial Intellectual (2015) and Postcolonial George Eliot (2017), as well as essays on popular music in Musical Quarterly, Popular Music, Popular Music and Society, and Rock Music Studies. Tab Content 6Author Website:Countries AvailableAll regions |
||||