Overview
Popular music has long understood that human rights, if attainable at all, involve a struggle without end. The right to imagine an individual will, the right to some form of self-determination and the right to self-legislation have long been at the forefront of popular music's approach to human rights. At a time of such uncertainty and confusion, with human rights currently being violated all over the world, a new and sustained examination of cultural responses to such issues is warranted. In this respect music, which is always produced in a social context, is an extremely useful medium; in its immediacy music has a potency of expression whose reach is long and wide. Contributors to this significant volume cover artists and topics such as Billy Bragg, punk, Fun-da-Mental, Willie King and the Liberators, Hedwig and the Angry Inch, the Anti-Death Penalty movement, benefit concerts, benefit albums, Gil Scott-Heron, Bruce Springsteen, Wounded Knee and Native American political resistance, Tori Amos, Joni Mitchell, as well as human rights in relation to feminism. A second volume covers World Music.
Full Product Details
Author: Ian Peddie ,
Professor Derek B. Scott ,
Professor Stan Hawkins ,
Professor Lori Burns
Publisher: Taylor & Francis Ltd
Imprint: Routledge
Edition: New edition
Dimensions:
Width: 15.60cm
, Height: 2.10cm
, Length: 23.40cm
Weight: 0.544kg
ISBN: 9780754668527
ISBN 10: 0754668525
Pages: 224
Publication Date: 17 August 2011
Audience:
College/higher education
,
Undergraduate
,
Postgraduate, Research & Scholarly
Format: Hardback
Publisher's Status: Active
Availability: In Print
This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us.
Reviews
'Anyone interested in the topic of popular music and human rights can begin here. The volume gives an empirically grounded introduction to a variety of perspectives on the topic. It shows how human rights issues in popular music are embedded in everyday identity politics and media consumption. Moreover, the volume illustrates the complexity of music as a medium of expression in creating pleasure and discontent, coherence and unrest, individualism and collectivity.' Fabian Holt, Roskilde University, Denmark
Author Information
Ian Peddie has taught at Florida Gulf Coast University, the University of Sydney, and West Texas A&M University. His books include The Resisting Muse: Popular Music and Social Protest (Ashgate, 2006) and a study of class in American literature. He has published widely on twentieth-century British and American culture. He is currently editing a collection on music and protest since 1900. Kieran Cashell, Kevin C. Dunn, Deborah Finding, John Hutnyk, Stephen A. King, Stefan Mattessich, Neil Nehring, Sam O'Connell, Ian Peddie, Christopher A. Scales, David Thurmaier, Sheila Whiteley.
