Pop with Gods, Shakespeare, and AI: Popular Film, (Musical) Theatre, and TV Drama​

Author:   Iris H. Tuan
Publisher:   Springer Verlag, Singapore
Edition:   2020 ed.
ISBN:  

9789811572999


Pages:   210
Publication Date:   24 November 2021
Format:   Paperback
Availability:   Manufactured on demand   Availability explained
We will order this item for you from a manufactured on demand supplier.

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Pop with Gods, Shakespeare, and AI: Popular Film, (Musical) Theatre, and TV Drama​


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Full Product Details

Author:   Iris H. Tuan
Publisher:   Springer Verlag, Singapore
Imprint:   Springer Verlag, Singapore
Edition:   2020 ed.
Weight:   0.318kg
ISBN:  

9789811572999


ISBN 10:   9811572992
Pages:   210
Publication Date:   24 November 2021
Audience:   Professional and scholarly ,  Professional & Vocational
Format:   Paperback
Publisher's Status:   Active
Availability:   Manufactured on demand   Availability explained
We will order this item for you from a manufactured on demand supplier.

Table of Contents

1 Introduction: Popular Visual Culture in Film, Theatre and TV Drama.- Part I Literature, Film, and Theatre.- 2 Shakespeare and Popular Culture: Romeo and Juliet in Film and Pop Music.- 3 Represent Afterlife and Replay Habitus: Performance via Spectacle in the Korean Film Along with the Gods: The Two Worlds.- 4 Myth and Levi-Strauss: Taiwan Musical The Classic of Mountains and Seas & Chinese Film The Monkey King: Kingdom of Women.- Part II Asian American Play, Asian Theatre, and Musical Theater.- 5 Face, Race, and Performance: Arousal by Face and Identity Transformation.- 6 Dance Tango and Sing for Revenge in Chicago and The Visit.-Part III TV Drama, Robot Theatre and AI Films.- 7 Theatre, Performance, and Popular Story of Yanxi Palace .- 8 Hakka Theatre: Roseki Taipei Singer.- 9 Robot Theatre and AI Films.- 10 Conclusion.

Reviews

Pop with Gods, Shakespeare, and AI is a very ambitious book. Its great virtue lies in its bringing together performance works from a variety of media - the author herself lists Western Literature, Chinese Literature, East Asian Studies, Shakespearean Research, Broadway Musicals, Theater Performance, Film Studies and theories of popular culture. ... The 64 color photos are uniformly excellent and make me wonder why I don't go to the theater more often. (Bradley Winterton, taipeitimes.com, April 21, 2022)


“Pop with Gods, Shakespeare, and AI is a very ambitious book. Its great virtue lies in its bringing together performance works from a variety of media — the author herself lists Western Literature, Chinese Literature, East Asian Studies, Shakespearean Research, Broadway Musicals, Theater Performance, Film Studies and theories of popular culture. … The 64 color photos are uniformly excellent and make me wonder why I don’t go to the theater more often.” (Bradley Winterton, taipeitimes.com, April 21, 2022)


Author Information

Iris H. Tuan is Professor at National Chiao Tung University, Taiwan. She received her Ph.D. in Theater from UCLA and has been a Visiting Scholar at Harvard University. Tuan’s selected publications include papers published by Asian Theatre Journal, and nine books, including Translocal Performance in Asian Theatre and Film, Intercultural Theatre: Adaptation and Representation, Western Canon in Taiwan Theatre, Alternative Theater in Taiwan, and Transnational Performance, Identity, and Mobility in Asia (edited with Ivy I-chu Chang). Tuan is the recipient of NCTU Outstanding Research Awards.

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