Overview

Polyphony and the Modern asks one fundamental question: what does it mean to be modern in one’s own time? To answer that question, this volume focuses on polyphony as an index of modernity. In The Principle of Hope, Ernst Bloch showed that each moment in time is potentially fractured: people living in the same country can effectively live in different centuries – some making their alliances with the past and others betting on the future – but all of them, at least technically, enclosed in the temporal moment. But can a claim of modernity also mean something more ambitious? Can an artist, by accident or design, escape the limits of his or her own time, and somehow precociously embody the outlook of a subsequent age? This book sees polyphony as a bridge providing a terminology and a stylistic practice by which the period barrier between Medieval and Early Modern can be breached. Chapter 1 of this book is freely available as a downloadable Open Access PDF under a Creative Commons Attribution-Non Commercial-No Derivatives 4.0 license available at https://www.taylorfrancis.com/books/edit/10.4324/9781003129837

Full Product Details

Author:   Jonathan Fruoco
Publisher:   Taylor & Francis Ltd
Imprint:   Routledge
Weight:   0.453kg
ISBN:  

9780367655150

ISBN 10:   0367655152
Pages:   266
Publication Date:   11 May 2021
Audience:   College/higher education ,  Tertiary & Higher Education
Format:   Hardback
Publisher's Status:   Active
Availability:   In Print  
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Table of Contents

"Introduction: Towards Modernity Jonathan Fruoco Part One: Machaut and Musical Polyphony Chapter I. The Polyphony of Function: Mixing Text and Music in Guillaume de Machaut Uri Smilansky Chapter II. The Multilevel Polyphony of Machaut’s Livre dou Voir Dit and its Afterlife Rosemarie McGerr Part Two: Polyphony in Medieval Europe Chapter III. Cemeteries and Tombstones as Polyphonic Places in the French Medieval Quest of Lancelot Laurence Doucet Chapter IV. Polyphonic Effects in the Fixed-Form Verse of Eustache Deschamps: A Critical Practice Laura Kendrick Chapter V. ‘Galeotto fu il libro e chi lo scrisse’: Liminal Polyvocality in the Occitan Literary Use of Dante Paola M. Rodriguez Chapter VI. Novelistic Perspectivism in Béroul’s Roman de Tristan Teodoro Patera Chapter VII. Textual Voices in Compilation: Reading the Polyphony of Medieval Manuscripts Amy Heneveld Chapter VIII. Wolfram and the Ambiguity of the Religious Question in the Willehalm Patrick del Duca Part Three: From Medieval England to the Early Modern Chapter IX. Chaucer’s Speech and Thought Representation in Troilus and Criseyde: Encoded Subjectivities and Semantic Extension Yoshiyuki Nakao Chapter X Chaucer and the Streams of Parnassus Paul Strohm Chapter XI. ""´Tis more ancient than Chaucer Himself"": Keats and Romantic Polyphony Caroline Bertonèche Part Four: Towards Modernity Chapter XII. Evelina’s ""Pollyphony"" Anne Rouhette Chapter XIII. The Whirl of the Red, Green, and Blue: Christopher Anstey and the Particoloured Poem Peter Merchant Chapter XIV. Towards Modernity. Nova et Vetera in Paul Claudel’s Book of Christopher Colombus Jean-François Poisson-Gueffier"

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Author Information

Jonathan Fruoco is an independent scholar. His research focuses on the linguistic and cultural evolution of medieval England, with a particular interest in the work of Geoffrey Chaucer and its connection with French and Italian courtly poetry. He has recently published Les faits et gestes de Robin des Bois (2017) and Chaucer’s Polyphony: The Modern in Medieval Poetry (2020).

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