|
![]() |
|||
|
||||
OverviewFull Product DetailsAuthor: Ellen MacfarlanePublisher: University of California Press Imprint: University of California Press Dimensions: Width: 17.80cm , Height: 2.00cm , Length: 25.40cm Weight: 0.907kg ISBN: 9780520399754ISBN 10: 0520399757 Pages: 280 Publication Date: 07 January 2025 Audience: College/higher education , Postgraduate, Research & Scholarly Format: Hardback Publisher's Status: Active Availability: Out of stock ![]() The supplier is temporarily out of stock of this item. It will be ordered for you on backorder and shipped when it becomes available. Table of ContentsContents Acknowledgments Introduction 1. Group f.64 and the Limits of Political Photography 2. “The Pure Negroid Types I Prefer”: Consuelo Kanaga’s Portraits of Black Americans 3. The Politics of Edward Weston’s “Pure Food” Photography: Fruits and Vegetables in the Depression 4. Imogen Cunningham’s Botanical Photographs: American Horticulture and the Colonial Purification of Plants Conclusion Notes Bibliography List of Illustrations IndexReviewsAuthor InformationEllen Macfarlane is Assistant Professor of Art History in the School of Art and Art History at the University of Denver. Tab Content 6Author Website:Countries AvailableAll regions |