Politics and Anti-Realism in Athenian Old Comedy: The Art of the Impossible

Author:   Ian Ruffell (Lecturer in Classics, University of Glasgow.)
Publisher:   Oxford University Press
ISBN:  

9780199587216


Pages:   512
Publication Date:   15 December 2011
Format:   Hardback
Availability:   To order   Availability explained
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Politics and Anti-Realism in Athenian Old Comedy: The Art of the Impossible


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Full Product Details

Author:   Ian Ruffell (Lecturer in Classics, University of Glasgow.)
Publisher:   Oxford University Press
Imprint:   Oxford University Press
Dimensions:   Width: 16.30cm , Height: 3.20cm , Length: 24.10cm
Weight:   0.916kg
ISBN:  

9780199587216


ISBN 10:   0199587213
Pages:   512
Publication Date:   15 December 2011
Audience:   College/higher education ,  Professional and scholarly ,  Undergraduate ,  Postgraduate, Research & Scholarly
Format:   Hardback
Publisher's Status:   Active
Availability:   To order   Availability explained
Stock availability from the supplier is unknown. We will order it for you and ship this item to you once it is received by us.

Table of Contents

1 Tripping over the light fantastic 1.1: Plato s comedy store 1.2: The art of the impossible 2 Possible worlds and comic fictions 2.1: Possible, impossible and fictional worlds 2.2: Illusion, fiction and make-believe 2.3: Between worlds: identification, mapping and reference 2.4: Logic, cognition and emotion 3 On eating cake: joke semiotics 3.1: Is laughter central to komoidia? 3.2: Metaphors and other jokes 3.3: Towards a theory of the joke 3.4: Summary 4 Comic motivation: jokes and episodic plot 4.1: Comic plot and narrative 4.2: Jokes in narrative 4.3: A dog s dinner: complex routines in Wasps 4.4: Episodic plot 5 Comic networks: story and argument 5.1: Comic structure 5.2: World, episode and argument: Akharnians 5.3: Jokes, concepts and comic meaning: Knights 5.4: How did we learn today? 6 Entering the metaverse: comic self-reference 6.1: Disruptive theory 6.2: Thinking the unthinkable 6.3: The limits of self-reference 6.4: Chorus and consistency 6.5: The comic multiplier 6.6: Strangely significant worlds 7 The role of the audience: ideology, identity and intensity 7.1: Constructing the audience 7.2: From worlds to stage: mapping audiences 7.3: Dionysiac worlds/festive worlds 7.4: Anti-realism, Metatheatre, and fantasy politics 8 Flights of fancy: tragic myth and comic logos 8.1: Parody, intertextuality and anti-realism 8.2: Tragic and comic possibilities 8.3: Parody, anti-realism and postmodernist poetics 9 A total write-off: continuity and competition 9.1: Comic intertextuality: iterability and innovation 9.2: The comic multiverse: world, story and plot 9.3: Comic populations: satire and stereotype 9.4: What s so funny? About Peace and comic understanding 9.5: Comic competition 10 Conclusion: politics, ideology and Old Comedy Index locorum General index

Reviews

a densely-argued study of Old Comedy. Hermathena No. 190


a densely-argued study of Old Comedy. * Hermathena No. 190 *


Author Information

Ian Ruffell has been Lecturer in Classics at the University of Glasgow since 2001; previously a research fellow at Christ Church, Oxford (2000-01); lecturer at Wadham College, Oxford (1999-2000), and The Queen's College, Oxford (1998-9).

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