Poetry, Publishing, and Visual Culture from Late Modernism to the Twenty-first Century: Fugitive Pieces

Author:   Natalie Pollard (Senior Lecturer in Modernist and Contemporary Literature, University of Exeter, Penryn)
Publisher:   Oxford University Press
ISBN:  

9780198852605


Pages:   332
Publication Date:   28 May 2020
Format:   Hardback
Availability:   To order   Availability explained
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Poetry, Publishing, and Visual Culture from Late Modernism to the Twenty-first Century: Fugitive Pieces


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Author:   Natalie Pollard (Senior Lecturer in Modernist and Contemporary Literature, University of Exeter, Penryn)
Publisher:   Oxford University Press
Imprint:   Oxford University Press
Dimensions:   Width: 16.40cm , Height: 2.20cm , Length: 23.90cm
Weight:   0.664kg
ISBN:  

9780198852605


ISBN 10:   0198852606
Pages:   332
Publication Date:   28 May 2020
Audience:   Professional and scholarly ,  Professional & Vocational
Format:   Hardback
Publisher's Status:   Active
Availability:   To order   Availability explained
Stock availability from the supplier is unknown. We will order it for you and ship this item to you once it is received by us.

Table of Contents

Introduction PART ONE 1: Lunatic Forms: Djuna Barnes' Stone Guests 2: Built Words: David Jones, Art and Architecture 3: Moving Statues: F.T. Prince, Legacy and Michelangelo PART TWO 4: Collaboration: Canonical Hybridity, Ted Hughes, and Leonard Baskin 5: Reverberation: Denise Riley, Ethics and Embodiment 6: Ventriloquism: Paul Muldoon's Feast of Forms Afterword

Reviews

This is a sophisticated corrective to the New Criticism approach ... Though the book bristles with the buzzwords of contemporary critical theory, when the focus is on specific poetic texts a simple clarity comes forth ... For specialists in critical theory. * B. Wallenstein, CHOICE *


Author Information

Natalie Pollard is the author of Speaking to You: Contemporary Poetry and Public Address (Oxford University Press, 2012), and the editor of Don Paterson: Contemporary Critical Essays (Edinburgh University Press, 2014). She is Senior Lecturer in Modernist and Contemporary Literature at The University of Exeter. Her current research connects contemporary literature with drawing, architecture, and sculpture, the politics of design and of address, typographical innovation, and avant-garde forms. She has active research and teaching interests in ethical pedagogy and posthumanism, unhomed knowledge, scholarly wonder, and play.

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